Light and Shadow Postgender Intersubjectivity in The Left Hand of Darkness

作     者：ZHANG Na 

作者机构：Guangdong University of Foreign Studies Guangzhou China Guangdong Science Center Guangzhou China 

出 版 物：《Journal of Literature and Art Studies》 (文学与艺术研究（英文版）)

年 卷 期：2016年第6卷第4期

页      面：393-399页

学科分类：12[管理学] 1204[管理学-公共管理] 08[工学] 081202[工学-计算机软件与理论] 0812[工学-计算机科学与技术（可授工学、理学学位）] 

主　　题：postgenderism intersubjectivity cyborg science fiction narratology 

摘      要：The Left Hand of Darkness （abbr. LHD） is composed by Ursula Le Guin as a ＂thought experiment＂ to explore the postgender world on the planet of Gethen. By eradication of sexual difference and embracing the biological fluidity and psychological androgeny, dualism is deconstructed, and a postgender intersubjective space is reconstructed between Genly Ai and Estraven, interluded by cyborg myth and postgenderism culture narratives. Moreover, Le Guin suggests a possible transformation mode ofyin-yang cycle from psychoanalytic light and shadow.