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Heritage Agencies and the conservation of Brazilian Modern Masterpieces: A Partial Report

Built Heritage 2018年第2期2卷 35-49页

作者： Carlos Eduardo Dias Comas Faculty of Architecture Universidade Federal do Rio Grande do SulPorto AlegreBrazil

Heritage agencies have been protecting modern architecture in Brazil since 1948,starting with Oscar Niemeyer’s Pampulha *** far 75 modern works have been listed mostly because of their artistic *** prevents ***,it does not ensure proper conservation,and many interventions have disfigured works of architecture listed as modern *** those tolerated by the Brazilian heritage agencies,an early one is the roofing of the balconies of Oscar Niemeyer’s Ouro Preto Grand *** those approved were the construction of theatres diverging from those designed but unexecuted at the time of the listing,and renovations associated with the introduction or updating of air conditioning *** former included one by Niemeyer himself,at his Ibirapuera Park complex,and another at Affonso Eduardo Reidy’s Museum of Modern Art of Rio de *** latter included the Pampulha Dance Hall,two Ibirapuera Park Pavilions,and the Planalto *** paper analyses these retrofits along with the restoration project of Reidy’s Pedregulho Housing Estate,and discusses the connections of the heritage agencies’stands regarding these interventions with scientism and the traditions of the conservation *** suggests a bias of the agencies toward affirmation of historical values and celebration of picturesque disorder,and defends the need for their reorientation towards affirmation of the modern compositional logic.

关键词： modern architecture heritage agency Brazil conservation case studies

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An Encyclopedic Approach to the conservation of 20^(th)-Century Architecture

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Built Heritage 2018年第2期2卷 93-102页

作者： Roberta Grignolo Academy of Architecture Universitàdella Svizzera ItalianaMendrisioSwitzerland

The built heritage of the 20^(th) century concerns society in general: it is the background to everyday life and the stage of ‘past experience’. Therefore, recent past buildings should not be considered merely for their aesthetic features;they also have to do with physical well-being, social rituals and representations, as well as with associated concepts such as values and emotions. But conservation of 20^(th)-century heritage is not straightforward. It requires specific strategies as well as critical and operational tools, which are not part of the cultural background of the actors of the transformation of our cities (architects, engineers, heritage officials, etc.) and do not yet feature in current design teaching curricula in most universities. To fill these gaps, in 2008 four Swiss architectural schools (USI, EPFL, ETHZ, SUPSI) launched a research project titled ‘Critical Encyclopaedia for reuse and restoration of 20^(th)-century architecture’ (2009-2013). The article presents one of the outcomes of this research: the work developed by the section titled ‘Historical and Critical Tools for conservation’, which will be published shortly. It provides readers with the cultural, theoretical and critical frame of reference required to understand recent architectural heritage in its widest sense: as a historical, symbolic and aesthetic resource, but also as being endowed with social, economic and ecological value. By examining theories and doctrines which have developed over time and thanks to the exemplary nature and variety of the selected cases, it provides a historical appraisal of how intervention in the field of recent heritage has evolved over the past 60 years. Furthermore the oeuvre presents intervention tools in action: by analysing a vast array of case studies which address the main areas of conservation practice (historical and critical research, analysis of materials and technical features, identification of compatible new uses, regulatory compliance), i

关键词： 20^(th)-century architecture conservation historical-critical tools conservation design strategies conservation case studies

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