Heritage Agencies and the Conservation of Brazilian Modern Masterpieces: A Partial Report

作     者：Carlos Eduardo Dias Comas 

作者机构：Faculty of ArchitectureUniversidade Federal do Rio Grande do SulPorto AlegreBrazil 

出 版 物：《Built Heritage》 (建成遗产（英文）)

年 卷 期：2018年第2卷第2期

页      面：35-49页

学科分类：0202[经济学-应用经济学] 02[经济学] 020205[经济学-产业经济学] 

主　　题：modern architecture heritage agency Brazil conservation case studies 

摘      要：Heritage agencies have been protecting modern architecture in Brazil since 1948,starting with Os­car Niemeyer’s Pampulha *** far 75 modern works have been listed mostly because of their artistic *** prevents ***,it does not ensure proper conservation,and many interventions have disfigured works of architecture listed as modern *** those tolerated by the Brazilian heritage agencies,an early one is the roofing of the balconies of Oscar Niemeyer’s Ouro Preto Grand *** those ap­proved were the construction of theatres diverging from those designed but unexecuted at the time of the listing,and renovations associated with the introduction or updating of air conditioning *** former included one by Niemeyer himself,at his Ibirapuera Park complex,and another at Affonso Eduardo Reidy’s Museum of Modern Art of Rio de *** latter included the Pampulha Dance Hall,two Ibirapuera Park Pavilions,and the Planalto *** paper analyses these retrofits along with the restoration project of Reidy’s Pedregulho Housing Estate,and discusses the connections of the heritage agencies’stands regarding these interventions with scientism and the traditions of the conservation *** suggests a bias of the agencies toward affirmation of historical values and celebration of picturesque disorder,and defends the need for their reorientation towards affirmation of the modern compositional logic.