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Appreciation and Analysis of traditional chinese painting＇s Freehand Brushwork Aesthetic Characteristics

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International Journal of Technology Management 2014年第2期 119-121页

作者： Jingnan CHEN Art Academy of Northeast Agricultural University HarbinHeilongiiangChina

traditional chinese painting possesses its own unique artistic style in the world＇ s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional chinese painting. In traditional chinese painting, top priority is given to the expression of the creator＇s subjective interests, but not to the external colors and similar appearances. The masters in the world of traditional chinese painting have always attached high importance to expressing the spirits with forms or appearance since the ancient times. In traditional chinese painting, ＂similarity in form or appearance＂ and ＂similarity in spirit＂ are always dialectically unified with consciousness and unconsciousness, so that the art form with the ＂freehand brushwork＂ aesthetic characteristics is produced and significantly features chinese spirit and oriental style. Also, the realm of art to express spirit with appearance is always pursued in traditional chinese painting, and this is totally different from the ＂express appearance with appearance＂ in the western paintings. Moreover, expression is always stressed in traditional chinese painting so as to express the feeling world of human using the ＂freehand brnshwork＂ aesthetics as the creation method. The ＂freehand brushwork＂ aesthetic characteristics of traditional chinese painting are branded with a profound Zhuangzi philosophy.

关键词： traditional chinese painting Freehand Brushwork Aesthetics

Spotless, Jade-like Personality (traditional chinese painting)

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Women of China 1995年第5期 30-30页

作者： XIE LIJUN XIAO YUAN

The interpretation of the traditional chinese paintings done by Xie Lijun vividly expresses a woman’s tolerance and silence. In traditional chinese paintings black is the main component and the function of the color red is only to provide a striking contrast, so it is only used occasionally. On the contrary, in "Spotless. ,Jade-Like Personality." the color red is the main color in the painting. So different from its usual function, the red set against the quiet internal world passes from the expression of the figure’s eyes. The red color adds more elegance and inlplicit meaning to the work.

关键词： Jade-like Personality Spotless traditional chinese painting

Exploration of the Spiritual Pursuit of traditional chinese painting Similarity and Dissimilarity

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International Journal of Technology Management 2014年第3期 95-97页

作者： Yuanpeng Song Zaozhuang Vocational College of Science &Technology TengzhouShandong277500 China

chinese painting has a long history and distinctive national characteristics, self-contained in the field of world art. It is unique and become the mainstream of oriental art. traditional chinese painting is artistic conception as the soul, melting into poetry, books, paintings as a whole, poetic romance as the connotation, expressing feelings and thoughts. It exhibited virtual static beauty in thinking of Taoist philosophy of nature, becoming a unique chinese aesthetic art. Artistic spirit is an important part and aesthetic standard of chinese painting aesthetics, in the ＂paintings goods recorded,＂＂Lively spirit＂ is defined as the highest state of painting, artistic spirit is not a very mysterious thing, it was born from the pen and ink. NO pen and ink, no artistic spirit. Pursuing vivid artistic spirit, emphasizing ink skills, giving vent to feelings of oneself for its purpose, chinese painting has generated a large number of outstanding works of art in thousands of years, constructed a unique cultural spirit, shaped the nation ＇ s aesthetic temperament and character.

关键词： Spiritual Pursuit traditional chinese painting Similarity and Dissimilarity.

Classroom Teaching Evaluation of chinese painting as a Form of Fine Arts in Rural Junior High Schools

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Asian Agricultural Research 2020年第12期12卷 69-72页

作者： Haishan ZHU Shuifeng LAN College of Fine Arts Jiangxi Normal University Nanchang 330022 China

Teaching evaluation is an indispensable part of the teaching system of junior high *** order to inherit the excellent traditional chinese culture and arts,traditional chinese painting has been paid more and more attention to in the fine arts curriculum of rural junior high *** paper takes the classroom teaching evaluation of traditional chinese painting as a form of fine arts in rural junior high school as the research object,and analyzes the problems existing in the classroom teaching evaluation of traditional chinese painting in rural junior high *** paper puts forward the corresponding improvement measures from the aspects of comprehensive evaluation object,concrete evaluation content,flexible evaluation language and diversified evaluation subjects,in order to improve the evaluation level of fine arts teachers'classroom teaching,improve students'aesthetic cognition and learning interest in traditional chinese painting,and cultivate students'innovative thinking and spirit.

关键词： Fine arts in rural junior high schools traditional chinese painting Teaching evaluation China