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“Living” Literature:A New Approach to Bibliographic Studies of Classical Literature (Wenxianxue)

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Social Sciences in China 2021年第4期42卷 134-152页

作者： Feng Guodong Huang Deyuan Institute of Ancient Books School of HumanitiesZhejiang University 不详

China’s wenxianxue(bibliographic study of classical works)is an instrumental discipline centered on the methods and techniques of"working on documents."It provides reliable texts and materials for other disciplines,but also needs to give consideration to its own distinctive features and academic *** research topics should focus on the documents themselves,rather than being confined to the methods and techniques of textual ***,materiality,historicity,and sociality are the four most important elements of the literature,and the bibliographic study of classical literature should involve the holistic study of all four *** we analyze the historicity of the literature longitudinally and reveal its sociality horizontally,combining internal documentary research with research external to the documents,we may be able to attempt the creation of holistic research on"living"literature.

关键词： classical wenxianxue textuality materiality historicity sociality living wenxian

World Literature and Translation/Reading as an Exchange of Alterity

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中外文化与文论 2018年第1期38卷 1-12页

作者： Dian Li Univesity of Arizona USA College of Literature and Journalism Sichuan University

The story of Goethe’s invention of'world literature'while reading a Chinese novel is an interesting one,for it prefigures the presence of alterity in the very formation of the *** we consider world literature as a theoretical recognition of writing to be literature or as a body of actual texts,we often frame our discussion in a language of duality:self/other,culture/cosmopolitanism,nation/world,*** the force of world literature has always been its alluring ideal of'one-world-ness',it is time for us to better account for its embedded alterity,which is what energizes world literature as a discipline of study in the *** place to start,this essay will argue,is translation/*** as reading is not only the material condition for world literature,where texts of different language congregate to form a'republic of letters',but also creates the site of an'afterlife'in which the textuality of world literature becomes visible and *** writing itself,however,translation is not a transparent text for *** is an exchange of alterity,but not its *** varying strategies in translation deal with alterity,thus invigorate the discourse of sameness and difference in the concept of world literature.

关键词： world literature translation as reading alterity textuality worlding

Narrativity and Memory Analysis in Alzheimer’s Disease

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Open Journal of Psychiatry 2017年第4期7卷 307-317页

作者： Cyril Hazif-Thomas Remy Billon Philippe Thomas Department of Psychiatry for Elderly CHRU de Brest Bohars France Hospital St Louis La Rochelle France Semiotics Research Center (CeReS. EA 3648) University of Limoges Limoges France

Alzheimer’s Disease (AD) is a neurodegenerative illness with frequency of occurrence increasing with old age. If memory impairment setting progressively is here an element associated upfront, other neurocognitive troubles are also associated, for example, language impairment which can degenerate into aphasia. Aim of the study. To evaluate semantic and textual impairment in AD. Methods. Populations studied concerned 151 AD patients in consultation at Brest University Hospital. Certain sociodemographic data (sex, age, cultural levels) were collected as well as results from neuropsychological tests: (Folstein-MMSE;Dubois’s 5-word test;fluencies, Dubois’ s frontal test battery;Cornell’s scale for depression;Barbizet’s test, “The Lion’s tale”, for textual analysis. Demented patients were composed of 102 females and 49 males of average age 80.3 ± 6.91. All the tests, including the number of items memorized latterly in the Barbizet’s test are impaired all the more by Folstein’s test being altered. The formal fluency on demented patients is less impaired than the semantic lexical fluency test (scored respectively 5.74 ± 1. 09 versus 4.41 ± 2. 19;t = 5.60, p < 0.01). The studied demented cohort shows more intrusions (n = 36) than inversions in the delayed Lion’s tale, whether for items or for episodes in which they occur (n = 19). The regressive PLS analysis shows that for the explanation of the overall scores to do with “The lion’s tale”, calculated later, only attainment of formal fluency has any notable influence (Regression coefficient CR = 0.224) or, more accessorily, the cultural level (CR = 0.12). Conclusions: Attainment of category fluency and patient culture levels has effects on narrativity.

关键词： Alzheimer’s Disease Semiotics Semantics textuality

The Textual Condition of Jane Austen's Sense and Sensibility

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科技信息 2008年第27期 493-494,524页

作者： Conglin Niu Jijun Yang (Department of Foreign Languages International Colleges, Qingdao University Qingdao, P. R. China 266061) Department of Foreign Languages International Colleges Qingdao University Qingdao P.R.China 266061

Literature has increasingly been seen as a text in a context. And text is a particular embodiment of the abstract idea that a work tries to exhibit. The textual condition of a publication involves not only the author but also the editor, publisher and readers. Text varies because of its ever-changing textual condition. Since its first publication in 1813, Jane Austen's novel Sense and Sensibility had been reproduced several times in the 19th century. The analysis of the novel's text and textuality in a way shows its relevant social, political, economic, religious and ideological conditions.

关键词： textual condition textuality Jane Austen Sense and Sensibility

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表演中的文本与语境：文本化与语境化①②

The Dialogue between Literature and History in Yeats’ Poetry — A Case Study of “Easter, 1916”

文化研究 2016年第4期 122-137页

作者：理查德·鲍曼

在民俗学领域，民俗文本一直被视为能够被预先辨识和确定的、客观化的一种普遍性的或者主题性类型的表征。然而，从“表演”是一种交流实践的模式这一视角来看，文本性不仅仅是一段再三重复的口头文学的预先包装，而且是一次话语的实现... 详细信息

在民俗学领域，民俗文本一直被视为能够被预先辨识和确定的、客观化的一种普遍性的或者主题性类型的表征。然而，从“表演”是一种交流实践的模式这一视角来看，文本性不仅仅是一段再三重复的口头文学的预先包装，而且是一次话语的实现，一个将一段口头表达展演或再生产为文本的实际过程，即“文本化”的过程。语境化是在某一表演与现象世界的其他显著特征之间建立起联结关系的过程。语境化中最常运用的一种普遍模式是传统化。文本化和语境化都是一个完整而统一的过程的一部分，都是一种话语的实现。本文以一个墨西哥集市上的推销辞为个案，生动地展示了推销员将其推销辞巧妙地文本化和语境化的多种艺术手段和维度。以表演为中心的动态性视角为理解民俗是生存的必需品，是完成社会生活中经验升华的资源，提供了富有高度建设性的优越出发点。

关键词：表演文本性文本化语境化传统化 performance text textuality entextualization contextualization traditionalization

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北京第二外国语学院学报 2016年第5期38卷 144-144页

作者： ZHAI Kang Beijing Normal University Beijing 100875 China

Yeats’ realistic poetry is often imprinted with the mark of its era. By means of the poetic language, Yeats expressed his profound reflection on the historic events of the time. In so doing, a dialogue has comes into existence between literature and history. This paper attempts to consider in detail how the dialogue between literature and history operates in Yeats’ realistic poem “Easter, 1916,” as a case study, under the scrutiny of the new historicist approach. Through the textual analysis of this poetic work, this paper discusses the dialogic relationship of the poem and history by elaborating on how this poetic work becomes historicized and how this historic event becomes textualized. Within this dialogue, the reciprocal relation of this poem and the contemporary society is brought under further examination. This paper argues that this poem harbors subversive force which can be articulated by the poetic text in this dialogue between literature and history. However, this subversive force will be eventually contained by the British power structure that has pervaded and dominated the Irish society. By the uprising and revolution of the Irish people, Ireland would attain to the goal of political de-Anglicization by becoming a sovereign state and with the advent of this political independence Irish literature could also achieve an independent status. However, this paper concludes that Yeats has realized the suppressed beauty of this independence because Irish literature would still have to be composed in the English language which, however, remains to be the product of the British power structure.

关键词： Irish literature history dialogue power containment textuality