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Decision Model for Market of performing arts with Factorization Machine

Journal of Shanghai Jiaotong university(Science) 2018年第1期23卷 74-84页

作者：徐勇唐倩侯林早李冕 Shanghai United Media Group Shanghai 200041China University of Michigan-Shanghai Jiao Tong University Joint Institute Shanghai Jiao Tong UniversityShanghai 200240China

performing arts and movies have become commercial products with high profit and great market potential. Previous research works have developed comprehensive models to forecast the demand for movies. However,they did not pay enough attention to the decision support for performing arts which is a special category unlike movies. For performing arts with high-dimensional categorical attributes and limit samples, determining ticket prices in different levels is still a challenge job faced by the producers and distributors. In terms of these difficulties, factorization machine(FM), which can handle huge sparse categorical attributes, is used in this work first. Adaptive stochastic gradient descent(ASGD) and Markov chain Monte Carlo(MCMC) are both explored to estimate the model parameters of FM. FM with ASGD(FM-ASGD) and FM with MCMC(FM-MCMC) both can achieve a better prediction accuracy, compared with a traditional algorithm. In addition, the multi-output model is proposed to determine the price in multiple price levels simultaneously, which avoids the trouble of the models' repeating training. The results also confirm the prediction accuracy of the multi-output model, compared with those from the general single-output model.

关键词： performing arts factorization machine(FM) Markov chain Monte Carlo(MCMC) adaptive stochastic gradient descent(ASGD)

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Developing Audiences Through Outreach and Education in the Major performing arts Institutions of Hong Kong:Towards a Conceptual Framework

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Fudan Journal of the Humanities and Social Sciences 2021年第3期14卷 345-366页

作者： Fanny Ming Yan Chung Cultural Management Programme Faculty of ArtsThe Chinese University of Hong KongRm 206Leung Kau Kui BuildingShatinNew TerritoriesHong KongChina

The public's participation rate in performing arts in Hong Kong has historically been low,and the arts Participation and Consumption Survey in 2018 indicated that the primary reason was 4a lack of interest*and that education in the arts could increase public *** survey data clearly indicate the significance of education as a driver to develop future *** are nine major performing arts organisations funded by the Hong Kong government,and they share the responsibility of shaping the performing arts *** study explored the role of outreach and education within these major performing arts organisations and how they impact audience *** addition to document analysis and fieldwork,the researcher interviewed five cultural leaders from the nine performing arts *** findings of this study indicate that while the organisations*outreach and education engagement help to achieve various important educational goals,direct impact on ticket sales is not easily quantifiable and may occur in the long *** study concludes by offering a proposed conceptual framework for outreach and education when they are positioned in non-profit performing arts *** four layers in the proposed conceptual framework involve cognitive,affective,ethical,and behavioural *** contributes to reframing the conceptualisation of audience development for the performing arts and sheds new light on the future of outreach and education in arts organisations and policymaking in arts and culture,with far-reaching implications for other non-profit cultural organisations in Hong Kong and globally.

关键词： Outreach arts education performing arts Audience development Cultural management

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The beat, beat, beat of Korea Rak

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2008年

作者： KoreaFoundation.

来源：畅想之星图书光盘版（南... 评论

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汉魏时期表演艺术的发展及新型艺术形态的形成

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艺术学理论 2020年第1期

作者：王廷信

新型艺术形态是在特定的时代环境和条件中出现的。汉魏六朝时期，宫廷的奢靡之风引发了表演艺术的繁盛，为表演艺术提供了充足的演员；与边疆地区或外域频繁的文化交流丰富了表演艺术的形态；具备叙事特征的说唱、小说为表演艺术提供了... 详细信息

新型艺术形态是在特定的时代环境和条件中出现的。汉魏六朝时期，宫廷的奢靡之风引发了表演艺术的繁盛，为表演艺术提供了充足的演员；与边疆地区或外域频繁的文化交流丰富了表演艺术的形态；具备叙事特征的说唱、小说为表演艺术提供了融合的机会；乐府专门机构让“技艺”与“叙事”发生关联，直接推动了新型艺术门类的出现。歌舞戏与广场戏剧是这个时期新型艺术形态的标志。二者虽因叙事成分的加强而有别于这个时期较为单纯的歌舞、杂技、魔术、说唱、小说，但因擅长编写故事的文人与擅长表演技艺的艺人之间缺乏合作机缘，更加深入的故事题材还未被引入。

关键词：汉魏六朝表演艺术技艺叙事新形态 The Han Wei and Six Dynasties performing arts Skill Narration New Form

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