Hearing(Technological)Anomalies:An Analysis of Han Song's"The Rebirth Bricks"

作     者：Chiara Cigarini Chiara Cigarini

作者机构：Modern and Contemporary Chinese LiteratureBeijing Normal UniversityBeijing 100875China 

出 版 物：《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 (中国高等学校学术文摘·文学研究（英文版）)

年 卷 期：2020年第14卷第2期

页      面：228-253页

学科分类：0303[法学-社会学] 0502[文学-外国语言文学] 08[工学] 0812[工学-计算机科学与技术（可授工学、理学学位）] 

主　　题：Chinese science fiction Han Song science fictional re-enchantment zhiguai sensory 

摘      要：Contemporary Chinese science fiction author and journalist Han Song s works often cross the lines dividing reality from imagination,science fiction from literary mainstream,technology from the *** article,focusing in particular on Han s novellaThe Rebirth Bricks(Zaisheng zhuan),aims to investigate the role played by the senses in a shift from the science fictional novum to the fictionaluncanny.Featuring technological bricks,haunted by sounds of the dead which are perceived through sight and hearing,this novella is analyzed from the standpoint of this perceptual complementarity which expresses Han Song sscience fictional re-enchantment,a re-use of supernatural themes of the past that allow him to express the(technological)anomalies of China s current reality.