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Methodological Framework of Financial Analysis Results objectification in Slovak Republic

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Journal of Modern Accounting and Auditing 2017年第9期13卷 394-400页

作者： Viera Bartosova Pavol Kral University of Zilina Zilina Slovakia

The applicability of financial analysis results meets in practice a serious problem as to how to objectify analysis results with regard to the comparable values and information sources. Financial analysis results cannot be taken as useful and acceptable without their objectification on the basis of chosen reference rates, values. The article is focused on key information about financial analysis objectification methods, sources, and databases in conditions of Slovak enterprises. Current database for the comparison in Slovakia is currently provided by the company CRIF - Slovak Credit Bureau, which provides a complete range of solutions for business and consumer information as well as credit and marketing management. This information is very useful for financial analysis objectification, but not available for all potential users.

关键词： financial analysis enterprise objectification comparison economic space

Exploring objectification of Colonial Subjects in J. M. Coetzee＇s Foe

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Journal of Philosophy Study 2017年第3期7卷 132-138页

作者： Seema Dagar Banasthali University

objectification, a phenomenon, in Foucault＇s term, can be possible through ＂dividing practices＂ which divide the subject from others. It can be seen when the subject can be differentiated within the realms of good and bad, rich and poor, and powerful and powerless. Subject in Foucault＇s notion is the diagnosis of what we are and how the power subjected the subject. It also echoes the idea of Stephen Best where he explains that a muted slave has not simply been objectified, but thingified. J. M. Coetzee＇s Foe traverses through the conduit of objectification of Friday, cannibals slave who has been muted by his master. This novel articulates the testament of power and latent limitations of language, language as an expression of truth and the antithesis of silence. Friday＇s tongulessness is the mystery behind his submission and subjugation to slavery. It can be explored through the power of textaulity which has been controlled by the powerful. This novel intends to look upon the marginalized and voiceless condition questions the writing process of Susan Barton. It also echoes the phenomenon of Foucaultian concept of silence and resistance which has been tool to negate hegemonic power and it gives power for not being subjectivized. Therefore, it initiates the possibility of adaptation of the process of unbecoming to finish the authority of apparatuses as echoed by Althusser. Further, it portrays the hegemony in the construction of colonial subject by controlling the power of language, freedom to write and economic freedom. The paper in the context intends to examine the complex process of translating Friday into an object through the process of objectification.

关键词： objectification tongulessness submission subjugation apparatuses

From The Serenity Dwelling Collection to The Tea Smoke Pavilion Collection:ANew Discussion on the Guiding Principle behind Zhu Yizun's Object-Depicting Lyrics

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Frontiers of Literary Studies in China-Selected Publications from Chinese Universities 2024年第2期18卷 182-211页

作者： MIN Feng School of Liberal Arts Nanjing UniversityNanjing 210023China

The Lyric Collection on Objects of the Tea Smoke Pavilion is an anthology that Zhu Yizun compiled in his later years by carefully selecting object-depicting lyrics he composed throughout his *** 70 percent of the works were created before he participated in the imperial examination in *** indicates that this anthology does not fully reflect the characteristics of the lyrics he penned in his later *** collection title"Tea Smoke Pavilion,"as revealed in The Lyric Collection of the Serenity Dwelling,reflects the poet's distinctive approach to expressing emotions through depicting objects.A detailed examination of Zhu's works from the perspectives of textual structure,language,tone pattern and rhyming demonstrates that Zhu has consistently adhered to the same guiding principle when composing object-depicting *** has elevated the technique of“objectification,”pioneered by the poets of the Southern Song Dynasty to a new realm,crafting a unique beauty in object-depicting lyrics,which is different from the beauty of Song *** success is rooted in his emotional experiences depicted in The Serenity Dwelling *** relentless exploration in artistic forms has provided a source of inspiration for scholars of later generations to explore how to convey personal *** also offers an opportunity to reflect on the merits and demerits regarding the development of object-depicting lyrics during the Qing Dynasty.

关键词： The Lyric Collection on Objects of the Tea Smoke Pavilion Serenity Dwelling expressing emotions through depicting objects objectification conveying personal sentiments

Consumer Culture in The Great Gatsby

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Journal of Literature and Art Studies 2024年第2期14卷 124-127页

作者： ZHU Yuan-chen Wuhan University of Technology WuhanChina

*** Fitzgerald’s The Great Gatsby successfully portrays the“Jazz Age”.In the early 20th century,the United States transitioned from a production-based society to a consumer-based society,leading to an era of unparalleled ***,in the context of consumer culture,individuals often transition from being masters of their possessions to becoming enslaved by *** a result,their behaviours and values become increasingly associated with extravagance and *** paper uses Baudrillard’s theory of consumer society and textual analysis to explore the impact of consumer culture on human beings through the symbolization of men and objectification of women in The Great *** meanings embedded in the novel are revealed from a different perspective.

关键词： consumer culture symbols objectification The Great Gatsby

Objectified Study on Tongue Images of Patients with Lung Cancer of Different Syndromes

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Chinese Journal of Integrative Medicine 2011年第4期17卷 272-276页

作者：苏婉徐振晔王中奇许家佗 Department of Oncology Longhua HospitalAffiliated to Shanghai University of Traditional Chinese Medicine Department of Traditional Chinese Medicine Diagnosis Shanghai University of Traditional Chinese Medicine

Objective：To describe the characteristic of tongue images of patients with lung cancer of different Chinese medicine（CM） syndromes and to reveal the elemental rule on the changes of the tongue images. Methods：A total of 207 patients with lung cancer were divided into four syndrome groups according to the theory of CM：Fei（肺） and Shen（肾） deficiency syndrome（Group A,72 cases）,Pi（脾） deficiency and phlegm dampness syndrome（Group B,57 cases）,phlegm-heat retention in Fei（Group C,36 cases） and yin asthenia generating intrinsic heat syndrome（Group D,42 cases）.The tongue parameters were detected by tongue image digital analysis instrument,and the tongue images were described with qualitative,tongue color and quantitative analysis,*** International Commission on Illumination（CIE） L~＊a~＊b~＊（CIELAB） color model was used for the quantitative ***：There was a significant statistical difference between different syndrome groups of lung cancer on tongue color,coating color,and thickness of tongue coating（P0.01）,and there was significant statistical difference between the four syndrome groups on Lab values of the tongue and coating（P0.05）.The correct identification rate of discriminant function on the raw data was 65.7%,including 72.2%for Group C,69.4%for Group A,69.0%for Group D and 54.4%for Group ***：A tongue image digital analysis instrument can objectively describe the tongue features of patients with different syndromes of lung *** tongue diagnosis is very important to syndrome differentiation in *** diagnosis should be combined with some important characteristics of syndromes in the future to establish a＂combination of four examination methods,including inspection,auscultation,interrogation,and pulse-feeling and palpation＂in the tongue diagnostic system.

关键词： lung cancer tongue diagnosis syndromes of Chinese medicine computer technology objectification

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人工智能：人类认识自己的整体对象化

The Babysitter： A Feminist Interpretation

科学技术哲学 2023年第4期

作者：王天恩

作为对象化活动的产物，人工智能的创造达到了自人类开始制造工具之后对象化的最高层次。在人类认识自己的过程中，对象化活动的产物是更高层次的“镜子”，正是通过对象化活动及其产物，人类才能越来越到位地认识自己。就人类目前的存... 详细信息

作为对象化活动的产物，人工智能的创造达到了自人类开始制造工具之后对象化的最高层次。在人类认识自己的过程中，对象化活动的产物是更高层次的“镜子”，正是通过对象化活动及其产物，人类才能越来越到位地认识自己。就人类目前的存在和发展状况而言，人工智能已经达到了人类认识自己的整体对象化层次。在这一层次，分别基于人类知识、大数据和信息的人工智能三个亚层次从低到高渐次展开。作为人类认识自己的整体对象化，人工智能构成了更高层次的整体观照，不仅使人类能更到位地认识自己，为通用人工智能核心机制的突破提供进路启示，而且为在机制层次深化关于对象化和非对象化之间关系的理解提供了时代条件。正是在通用人工智能核心机制的研究中，我们可以由人类活动的整体对象化看到人类认识自己的两个关键环节——意识之谜和生命之谜突破的具体进路。

关键词：人工智能人类认识自己对象化对象性活动非对象化 ArtificialIntelligence HumanBeing'sSelf-understanding objectification Non-objectification

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Journal of Literature and Art Studies 2014年第7期4卷 521-526页

作者： LIU Ke-dong LI Shuang-shuang Harbin Institute of Technology Harbin China

Sexual violence, a prevalent problem in the spousal relationship, is closely related to the issue of female consciousness. In The Babysitter, Coover （1989） tells of a teenage girl babysitting two kids and a baby and of two of her male peers and the children＇s father altogether exploring their obsession towards her and, moreover, traces the evaluation and devaluation of women to the presentation of TV exploring its influence on his heroines, namely Mrs. Tucker and the babysitter serving as victims of the patriarchal society. Through a close engagement with the sexual objectification theory, this paper analyzes in detail men＇s aggressive oppressions upon women as well as women＇s compromise and rebellion towards the sexual violence, and investigates that the awakening of female independent consciousness is a key factor in effectively helping women achieve the gender equality between sexes.

关键词： Robert Coover The Babysitter objectification

Literary Signs:A Social Practice

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Language and Semiotic Studies 2018年第1期4卷 50-59页

作者： Han-wen Fang Yuan-hui Shi Soochow University China

This paper argues that literature is a social practical mode of production, as Marx ***, the paper continues to demonstrate that the tools of literary production, namely linguistic signs, are actually reflections of social life, which distinguish literature from other spiritual ***, the paper presents some further thoughts about the practice of literary signs, looking into the understandings of literature by Croce and Stolovich.

关键词： social practical nature of literature social practice linguistic signs literary signs objectification

Struggling between Submission and Evasion——A Feminist Reading of "Flowering Judas"

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Struggling between Submission and Evasion——A Feminist Read...