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Presenting an Artificial Dilemma for the Working Class： On the narrative strategy of The Road as a =National Epic＂

Frontiers of Literary Studies in China-Selected Publications from Chinese Universities 2014年第4期8卷 555-574页

作者： Xiaoping WANG Department of Chinese Language and Literature Xiamen University Xiamen 361005 China

A new trend has emerged in Chinese film over the past two decades in which the story of the working class has been narrated aimed at an authentic representation of the nation＇s socialist past, against the general demonization of the Maoist era. Still, there are a number of problems existed in this cinematic ＂new wave.＂ This paper analyzes a recent example of this tide, The Road （Fangxiang zhi lii, 2006）, and its implications. A careful examination of the film＇s narrative strategy reveals that it is oftentimes entrenched in the bourgeois ideology of ＂human nature,＂ which circumscribes its intended agenda of making a genuine reflection on the past and present of Chinese workers. On the surface, this film offers a positive image of the Maoist period by presenting a vivacious revolutionary work ethic in the female protagonist and her master. However, on a deeper level, the film only gives an impression of pity for this wretched workwoman who has completely wasted her life. Her ＂human nature＂ has been distorted by her socialist work ethic that had been inscribed with imprints of Maoism. In the mean time, the movie＇s repetition of political clich6s against revolutionary discourse, and an artificial binarity between socialism and commercial culture, bring out the real effect that rather than departing from stereotypes, it in effect merely perpetuates the popular narrative that has come to stigmatize the Maoist era. By this strategy, the film also evades the responsibility of accounting for the real reason for the gigantic social-political transformation.

关键词： national epic Chinese workers narrative strategy The Road,commercial culture

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An Exploration of Traditional Chinese Cultural Programs:The Construction of Rituals,narrative Strategies,and Experiential Insights

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Contemporary Social Sciences 2024年第4期9卷 88-104页

作者： Xu Jing School of Liberal Arts and Law Henan Polytechnic UniversityJiaozuoHenan454100China

In the context of the cultural development of the new era and the burgeoning spiritual demands of the people,there has been a remarkable surge in the proliferation of traditional Chinese cultural ***“Chinese Festivals”series,produced by Henan TV,standing out as an engaging TV program that showcases traditional Chinese culture,has rapidly captivated a diverse audience across different age groups,creating a rich,multi-dimensional,and cross-media cultural communication *** program strategically selects symbolic elements by systematically categorizing and organizing traditional Chinese cultural symbols to create a rich cultural *** employs cutting-edge scientific and technological methods to enrich viewer immersion,crafting media rituals with both temporal significance and a profound sense of media *** approach boosts the program’s popularity and sets a benchmark for industry *** fostering an interactive narrative between mainstream media and the public,the program continuously broadens the scope of the“story world,”fostering a harmonious and structured national cultural community through the creative interpretation of traditional Chinese culture and the evocative crafting of the aesthetic sensibilities inherent in Chinese *** is worth noting that the phenomenon of aesthetic fatigue besets the development of this serial *** address this issue and further improve the appeal of the program,a comprehensive approach is required to develop a cohesive narrative mode for the“story world.”This involves harmonizing the interplay between artistic endeavors and technological advancements,synchronizing sensory experiences with the foundational ritualistic elements,and enhancing the effectiveness of the media communication matrix to construct a brand of media culture that has social significance,aesthetic value,and economic profits in the new era.

关键词： traditional Chinese culture “Chinese Festivals”series media ritual narrative strategy experiential insights

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召唤应答

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外国文学研究 2011年第5期 85-89页

作者：尤蕾

美国作家莫里森的第七部小说《宠儿》讲述了南方重建时期，已成为自由人的黑奴重建自我身份的故事。黑人民族特有的艺术形式和重要文化密码——“召唤应答”，作为小说的主要叙事策略，赋予了作品深刻的文化内涵。小说中的人物通过“召... 详细信息

美国作家莫里森的第七部小说《宠儿》讲述了南方重建时期，已成为自由人的黑奴重建自我身份的故事。黑人民族特有的艺术形式和重要文化密码——“召唤应答”，作为小说的主要叙事策略，赋予了作品深刻的文化内涵。小说中的人物通过“召唤应答”，踏上了一条回归自我，捍卫黑人主体性和尊严的道路；而小说作者则借助于同样的文化密码，开始了她回归非洲传统文化的征程。无论是在语言运用上还是在叙事技巧上，我们都可以从《宠儿》中看到莫里森与黑人本土文化的契合点，而本民族的文化意识更是植入了她灵魂深处。

关键词：莫里森《宠儿》召唤应答叙事策略美国黑人文化身份 Morrison Beloved "call and response" narrative strategy black Americans' cultural identity

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An Analysis of the Role of the Narrator in Cranford:The Transition from“I”to“We”

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Journal of Contemporary Educational Research 2022年第6期6卷 61-65页

作者： Tianrong Li Beijing Institute of Technology Zhuhai 519088Guangdong ProvinceChina

*** carried an excellent reputation in the Victorian era for her quality works in depicting the many strata of society and social changes[1].Among her classic works,Cranford is said to be the only book that she would reread again in her aged years[2].The unique standing of the novel may be ascribed to its careful use of the narrative strategy,specifically the role of the ***,most of the studies on the narrator focus on the feminist point of view,and very few are concerned with the changes of the narrative voice between“I”and“we.”This paper attempts to explain the purpose of this transition by analyzing the role of the narrator and her interactions with other *** is concluded that the change of narrative voice is an illustration of the transition of the narrator’s role and emotion,which evokes the readers’emotional response and helps them better understand one of the themes-feminist *** paper is divided into three *** first section looks at the social milieu of the *** second section discusses two major roles of the narrator,Mary Smith as a reporter and a mediator,*** third section talks about the narrator’s growth from a minor character to a leading participant,and the implied theme is discussed as well.

关键词： Victorian literature Gaskell Cranford narrative strategy

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王小波小说的历史书写及叙事策略

王小波小说的历史书写及叙事策略

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作者：魏铮牡丹江师范学院

学位级别：硕士

Wang Xiaobo(1952-1997) is an alien in Chinese literature, and also known as a writer out of system or a master out of literature. Although Wang Xiaobao's position in the Chinese literature history is not conclusive, but besides this, his works are given an unprecedented welcome and repeatedly published. Wang Xiaobao's novels introduce the historical memory in different degree. Evading the grand narrative tradition and the feelings of national animosity, the author chooses a distinct literary expression, which is imaginative and no lack of rational spirit. Historical memory brings people closer to the life, and Literary writes history, which pins great life *** paper mainly focus on Wang Xiaobao's novels, base on the novels' historical writing and the characteristics of narrative strategy. The main theme of his writing promotes the development of the novels' time, space and plot. For one thing,The theme of Wang Xiaobao's historical writing centers around living circumstances, ideological pursuit and the reality of oppression, which expresses the author's criticism of the oppression of human nature. For another, base on the respect and the pursuit of human nature, Wang Xiaobo utters his voice of rational pursuit of freedom by banteringly and deconstructing and reconstructing in a certain period of history. The historical rewriting which is a rational and intelligent survey and disassembly,expresses the theme of opposition to *** second chapter analyzes Wang Xiaobao the historical novels of traditional writing beyond, which in the past, now, future skillfully grafted generates a wonderful series, through the history of those constant factors of human nature to explore in the Cultural Revolution themes, reflection, human suffering beyond the three aspects of equal. The third chapter deals with the ways of history attention to Wang Xiaobao, the narrative perspective, narrative techniques, which works in the analysis, to explore how to its readers to bri

关键词： Wang Xiaobo Historical writing narrative strategy

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“异乎寻常之地”：村上春树的游记中国

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外国文学研究 2014年第9期 42-48页

作者：刘研

村上春树在游记《诺门罕钢铁墓场》中，一方面以日本近代以来的中国叙事作为话语资源，另一方面通过实地考察敏锐洞察90年代中国的问题和特色，建构了一个“异乎寻常”的文学空间。而这一空间的塑造也是作者个体心理的折射，村上通过中... 详细信息

村上春树在游记《诺门罕钢铁墓场》中，一方面以日本近代以来的中国叙事作为话语资源，另一方面通过实地考察敏锐洞察90年代中国的问题和特色，建构了一个“异乎寻常”的文学空间。而这一空间的塑造也是作者个体心理的折射，村上通过中国他者反思日本近代历史的自省意图鲜明深刻，但同时通过视角、语调、对比等叙事策略的运用，字里行间又闪现出日本的“中国”形象，显示出话语中国的强大规约力。

关键词：村上春树《诺门罕钢铁墓场》文学空间叙事策略 Murakami Haruki Nomonhan steel graveyard literary space narrative strategy

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新世纪以来韩国黑帮片创作发展新趋势

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影视艺术 2022年第6期

作者：张燕李楚芃

新世纪以来，随着韩国电影工业化快速发展与观众需求变化，作为韩国电影重要组成部分之一的韩国黑帮片出现了诸多创作新趋势，主要表现在类型叙事的杂糅性、人物塑造的颠覆性、视听美学的成熟化、社会文化的思考性等方面。通过银幕临摹... 详细信息

新世纪以来，随着韩国电影工业化快速发展与观众需求变化，作为韩国电影重要组成部分之一的韩国黑帮片出现了诸多创作新趋势，主要表现在类型叙事的杂糅性、人物塑造的颠覆性、视听美学的成熟化、社会文化的思考性等方面。通过银幕临摹时代轮廓、观照都市群像，韩国黑帮片对韩国电影产业发展、类型格局完善起到了重要作用。

关键词：韩国黑帮片创作趋势叙事策略人物塑造视听美学 Korean gangster film creative trends narrative strategy characterization audiovisual aesthetics

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