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Natural Science,Legends,and Local Chronicle-Style Novel Pedigree of Guizhou--On Ouyang Qiansen'sNovel Creation

Frontiers of literary Studies in China-Selected Publications from Chinese Universities 2022年第4期16卷 589-618页

作者： LI Yuchun School of Chinese Language and Literature Central China Normal UniversityWuhan 430079China

Ouyang Qiansen is a writer from Guizhou who is quite influential in the Chinese literary circles of the new *** has worked hard to rejuvenate the Chinese nation's literary tradition with modern *** is reflected in the fact that he includes modern geological expertise in his novels,portraying geographical scenery with poetic language,thereby forming a unique narrative style based on modern knowledge and renewing the "natural science"narrative tradition of China's ancient ***,he pays special attention to myriad unusual events and people throughout Guizhou's history and in reality,and creates typical literary Guizhou characters of all types whereby he revives the"legend"narrative tradition based on historical records or biographies and is typical of ancient Chinese *** the geography-based"natural science"narrative and the people-based legend"narrative are merged into Ouyang's local chroniclestyled novel pedigree of *** creatively transforming the narrative tradition of local chronicles and local chronicle-style novels of ancient China,in his literary creations,Ouyang manages to revive and reconstruct the Guizhou spirit,which serves as the local expertise and culture.

关键词： Ouyang Qiansen literary tradition natural science legends local chronicle-stylenovel pedigreeof Guizhou

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Chinese tradition in the World Literature:Review of Zhang Longxi's A Historyof ChineseLiterature

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Journal of Foreign Languages and Cultures 2023年第1期7卷 72-76页

作者： Chao Ling City University of Hong Kong China

This essay reviews Zhang Longxi's A History of Chinese *** book covers Chinese literature from its very beginning to modern *** emphasizes texts'literary and aesthetic qualities when evaluating and historicizing *** book demonstrates the importance of canons in literary history,using Chinese tradition as an ***,it also brings the Chinese tradition into the broader framework of world *** Zhang's concise historical overview of Chinese literature,we can better understand the interplay between literary tradition and the individual *** Longxi has skillfully combined the writing of a history of literature with literary criticism in this ***'s successful attempt informs literary scholars of possible paradigms of compiling literary history in a post-cultural-studies theoretical context.

关键词： Chinese literature Chinese literary history world literature literary tradition literarycanons

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On the Encounter of Satan and Christ in John Milton＇s Paradise Lost

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Journal of Literature and Art Studies 2017年第5期7卷 528-541页

作者： SHEN Hong Zhejiang University Hangzhou China

In Milton＇s Paradise Lost, Satan is conspicuously depicted as the ＂mighty chief＂（I 566） and ＂the dread commander＂（I 589） of the rebel army. True to the Hebrew meaning of his name, Satan poses appropriately as a grand ＂Adversary＂（I 629; II 282） to ＂wage by force or guile eternal war＂（I 121） against God. The poet has deliberately built up a parallel between Satan and Christ the Son, who is the commander-in-chief of the angelic army. With ＂Almighty arms / Gird on, and Sword upon [his] puissant Thigh＂（VI 713-14）, the Son certainly makes an impressive figure of warrior-general. Satan＇s stance as the ＂idol of majesty divine＂ is really extraordinary. During the War in Heaven, he does show superhuman courage and strength; his ability to change his bodily form has no doubt increased his potential as a warrior. Furthermore, he commands a highly disciplined army, surpassing by far the best troops in human history. All this seems to indicate Satan as a great hero. Even before God proclaims the Son to be raised ＂by merit＂ to the position of＂second omnipotence＂（III 309）, Milton has already made it clear to the reader that Satan, too, is ＂by merit rais＇d / To that bad eminence＂（II 5-6）. This ambivalent merit of Satan has incurred heated controversy among the critics. The present paper will set out to analyze the encounter between Satan and the Son in Paradise Lost, in an effort to determine the true meaning of heroism.

关键词： Satan Christ John Milton Paradise Lost heroism pagan warrior Christian virtues literary tradition

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Rethinking the Modern Transformation of Classical Chinese literary Theory

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Social Sciences in China 2015年第3期36卷 162-174页

作者：朱立元 Zhang Dachuan Department of Chinese Language and Literature Fudan University

Though it is not new, the topic of the modem transformation of classical Chinese literary theory still holds profound significance for China＇s current efforts in carrying forward the essence of classical literary theory and constructing a new literary theory that conforms to the spirit of our times. Today, Chinese scholars have to handle two traditions： one is the classical literary scholarship up to the 19th century, distant in time and space from today; the other is the modern tradition that started in the early 20th century. These two traditions involve not only rupture and heterogeneous change but also continuity and partial homogeneous preservation. Taking our stand on the modem and contemporary tradition, we should consciously pursue research on classical literary theory, using modem consciousness to scrutinize, reorder, discover, select, interpret, activate and absorb its finer elements, those that are still vital, so as to creatively promote its modem transformation and further integrate it as an organic component of the construction of modem Chinese literary theory. Over the past two or three decades, Chinese scholars have been advancing this great project in a systematic and solid way, achieving gratifying progress. We must strengthen our efforts and make further progress with this great undertaking.

关键词： classical Chinese literary theory literary tradition modem consciousness modem transformation

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文学的“意境”与“越境”

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中国现代、当代文学研究 2018年第7期 42-54页

作者：邓捷

在中国的现实里睁开眼凝视“血和肉”时，该用怎样的文字和表现形式去描写？鲁迅和闻一多对“三一八”惨案的态度分别代表了二者关于“怎么写”的文学观。在思考西方影响的民族化和文学传统的现代化这一现代文学所面临的双重使命时，二... 详细信息

在中国的现实里睁开眼凝视“血和肉”时，该用怎样的文字和表现形式去描写？鲁迅和闻一多对“三一八”惨案的态度分别代表了二者关于“怎么写”的文学观。在思考西方影响的民族化和文学传统的现代化这一现代文学所面临的双重使命时，二者呈现有意义的对照：鲁迅主张冲破传统的一切束缚，在惨案时反复倾述语言的空疏和表达的艰难；而闻一多以现代的知性持文化保守主义态度，在惨案时探讨诗以及格律问题。关于“怎么写”，本文更进一步通过对“意境”这一文学传统在现代诗论里的展开，以及《野草》的“情景交融”问题和其中的文学观的分析，认为相对于苦于形式禁锢的闻一多，鲁迅是一位向着隐藏创造的可能性的双重否定存在探索的“越境”作家。如果说传统的“意境”世界基本由肯定的叙述来完结，缺乏意象和所暗含之意之间的分裂和对立，那鲁迅通过矛盾和对立的交叉开拓其文学世界的地平，从而唤醒那些沉没于意义世界的地底的、看不见的、否定的事物和存在。这是支撑鲁迅文学的写法，是构建《野草》象征世界的方法。

关键词：鲁迅闻一多怎么写野草越境双重否定文学传统 Lu Xun Wen Yiduo 怎么与 Wild Grass Border Transgression(越境) Double Negative literary tradition

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“电影作者论”新论

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影视艺术 2015年第8期 42-50页

作者：蓝凡

按照特吕弗的说法，提出“电影作者”，就是为了强化导演个性，把导演个人的理念与设想带进影片之中。“电影作者论”随着新浪潮电影运动的兴起与发展而得到扩展。在其后的传播过程中，“电影作者论”成为了一种电影的批评方法或策略；... 详细信息

按照特吕弗的说法，提出“电影作者”，就是为了强化导演个性，把导演个人的理念与设想带进影片之中。“电影作者论”随着新浪潮电影运动的兴起与发展而得到扩展。在其后的传播过程中，“电影作者论”成为了一种电影的批评方法或策略；又成为了一种新的电影理论：嗣后更成为了一种电影历史研究的新角度。但将“电影作者”当作导演是电影单一作者的等同概念，同样遭到了理论界的质疑。“电影作者论”自被提出开始，始终是从其与文学作者的相比较中来展开概念和含义阐释的，并没有认识到“作者论”对电影的这种历史性意义，因而带来了一些负面的效果。显然，“电影作者论”的真正含意与意义一直未被发掘出来，甚至出现歧义。“电影作者论”表面上将电影导演视同为文学的作者，其背后揭示的却是对电影性的确认：电影作为一种技术的发明，从娱乐的“玩意儿”到叙事的艺术，从无声到有声，从黑白到彩色，经过近60年的历程，才使发明电影的人类真正认识到电影的本体特性，将电影真正从西方以文字阅读为中心的传统中彻底解放出来，还电影的影像本位意义。

关键词：电影作者文学传统电影本体特性 film author literary tradition ontological property of film

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