检索结果-南通市图书馆

imagination in Chinese Science Fiction

同方期刊数据库评论

在线全文

同方期刊数据库

学校读者我要写书评

暂无评论

Frontiers of Literary Studies in China-Selected Publications from Chinese Universities 2020年第2期14卷 161-180页

作者： WU Yan Center for Humanities Southern University of Science and TechnologyShenzhen 518055China

imagination is the lifeline of science *** the 20th century,Chinese science fiction has produced the three distinct imagination modes of desire,possibility,and principles,conveyed through at least five expression techniques in neologisms,verisimilitude,temporal disjunction,situational extremes,and *** imagination is critical to the creation of science fiction,there are polarized views about its nature.A necessary task for the future development of Chinese science fiction is challenging false conceptions of imagination so as to establish more imagination modes.

关键词： imagination science fiction China

Ethical Leadership and Moral imagination: A Moderated Mediation Model of Proximity and Organizational Commitment

在线全文

维普期刊数据库

学校读者我要写书评

暂无评论

学术界 2019年第5期 191-202页

作者： Jiang Xiaochuan Yang Jianfeng College of Political Science and Law Jiangxi Normal University Nanchang Jiangxi 330022 Research Center of Cluster and Enterprise Development Jiangxi University of Finance and Economics Nanchang Jiangxi 330013

Moral imagination is the ability that can help individuals overcome constraints of organizational mental models to develop fresh frameworks and to make ethical decisions on the basis of those *** study aimed to explore the moderated mediator role of organizational commitment between ethical leadership and moral *** of 281 employees were collected,and results showed that when the victim of a certain ethical issue is their own company,organizational commitment fully mediated the effect of ethical leadership on moral imagination;however,when the victim is other company,ethical leadership and organizational commitment hadn't any effect on moral *** results showed the process that ethical leadership uses to influence moral imagination is not a social learning process but a social exchange process.

关键词： ethical leadership moral imagination proximity ethical decision making

Confucian Moral imagination and Ethics Education in Engineering

维普期刊数据库

同方期刊数据库评论

在线全文

学校读者我要写书评

暂无评论

Frontiers of Philosophy in China 2020年第1期15卷 36-52页

作者： ZHU Qin Division of Humanities Arts&Social SciencesColorado School of MinesColorado 80401USA

Developing moral imagination is a central yet challenging learning outcome for students in professional education programs for fields including *** paper introduces theories of moral imagination in early Confucian ethical thought and explores what implications can be drawn from these theories for engineering ethics and professional *** than appealing to pre-determined principles,early Confucians advocated a moral particularism and argued that moral actors need to exercise their imaginations to discern diverse factors and constraints present in moral *** need to“extract”from moral situations possible reasons for certain *** such as the Analects should be read as manuals or logs of decision-making rather than as prescriptive guidance or descriptive *** moral actions we take in different situations are influenced by the special roles we play in these *** nature of a particular role relationship often evokes feelings and expectations characteristic of that *** and educating our imaginations allows us to draw on diverse human abilities,assess multiple moral strategies,and identify the most suitable(rather than simply calculating“the best”)option that helps to activate our moral selves and grow our relationships with *** Confucians proposed a variety of methods for developing moral imaginative capabilities including reflective observation of social interactions,moral thought experiments,analogical extension of familial relations,and the“as-if”*** paper ultimately considers the possible implications of these theories for teaching and learning ethical conduct in engineering,given the increasing interest of the engineering profession in humanitarian engineering and cross-cultural collaboration and the two fields of engineeringpractice often encompass incomplete knowledge and diverse values.

关键词： moral imagination Confucian ethics moral psychology engineering ethics ethics education

imagination as a Means of Accounting for the Alternation Between Imprisonment and Freedom in James Welch＇s Novel： The Heart Song of Charging Elk

在线全文

维普期刊数据库

学校读者我要写书评

暂无评论

Sino-US English Teaching 2016年第4期13卷 296-301页

作者： Oncioiu Anamaria University of Bucharest Bucharest Romania

My paper analyzes the issue of the alternation between two complementary concepts which can be analyzed in the novel The Heart Song of Charging Elk： imprisonment and freedom. In order to achieve this goal, I have used several critical theories of authors such as： Michel Foucault, Carl Jung, and Pierre Bourdieu. The analysis is concerned with exploring the alternation between the themes of freedom and imprisonment and the way in which these issues influence the evolution of the main character. I argue that the two themes are in a relation of interdependency and they can be interpreted as opposites from a rational point of view. The rational point of view, although valuable, is, however, incomplete without the exploration of the emotional and subjective factor. This factor can account for the ＂unreasonable＂ events from a broader perspective： that of the imagination. As Michel Foucault argues, power exists only in action. Power is also a rather elusive concept. In the same way, the perception of reality can be represented more accurately from a subjective point of view. More exactly, reality is constructed with every thought, emotion, and action of the individual. To sum up, I argue that, from a sociological point of view, the main character is striving to assimilate his personality in a new and hostile cultural environment. On the other hand, from a psychological point of view, he is confronting his inner shadow, as Carl Jung defines the hidden part of the personality. This has a result of the emergence of a genuine sense of self. As the critic Pierre Bourdieu argues, there are a set of common characteristics of taste which define the social belonging of an individual. In the analyzed novel the character manages to adapt to the new situation and to overcome the obstacles that he finds on his way.

关键词： imagination freedom imprisonment evolution spirituality culture religion

imagination in Entrepreneurship: An Inspiration from Heidegger

在线全文

维普期刊数据库

学校读者我要写书评

暂无评论

Journal of Psychological Research 2019年第1期1卷 15-23页

作者： Usman Talat Kirk Chang Research Fellow and Lecturer University of WarwickCoventry CV47ALENGLAND Salford Business School University of SalfordThe CrescentSalfordManchesterM54WTENGLAND Fudan Development Institute Think Tank BuildingFudan University220 Handan RoadShanghaiYangpu District200433 CHINA

Bloom’s taxonomy is widely used in educational research to categorize the cognitive skills required to answer exam *** this study,we analyzed how students categorize exam questions(high-level question or low-level question,)gathered data as to their rationale for categorization,and compared their categorizations to those of *** found that students consistently rank high-level questions *** analyzed student reasons for their categorizations,and found that for many of the incorrectly categorized questions the students referred to reasons related to Cognitive Load *** shows that cognitive load prevents students from accurately assessing the cognitive level of an exam ***,extra cognitive load in exam questions may prevent those questions from accurately measuring the skills and knowledge of the *** points to the need for instructors to eliminate cognitive load from their exams.

关键词： Entrepreneurship Heidegger imagination Instability Unpredictability Spontaneity

imagination and Emotion in William Blake＇s Poems

在线全文

维普期刊数据库

学校读者我要写书评

暂无评论

Journal of Literature and Art Studies 2016年第1期6卷 17-22页

作者： XU Jian-gang HUANG Rong WANG Dong-qing China Three Gorges University Yichang China

Writer＇s imagination does not only provide inspiration for literary creation, but also contribute literature works with more dazzling brilliance. As a representative of the British Romantic Poetry--William Blake, whose poems are full of imagination, always concedes his emotion and thoughts in a variety of imageries, exposing the reality of his times within his poetry writing. However. William Blake＇s imagination is no castles in the air, but based on the religious mythology, historical background, and the poet＇s life experience and dream pursuit. Only with in-depth understanding of the imagination in William Blake＇s poems can those hidden emotions and thoughts be grasped and appreciated.

关键词： imagination emotion William Blake

The Oceanic imagination: Affects, Surreal Images and Strings

在线全文

维普期刊数据库

学校读者我要写书评

暂无评论

Cultural and Religious Studies 2019年第7期7卷 348-359页

作者： Emily ShuHui Tsai National Chung Hsing University Taiwan

The creative forces of affects are considered to be a mysterious power within our immanence. Although creators exist like lonely islands and may be more vulnerable to poor health, it is problematic to draw an inference that mental illness nourishes creativity. Artists, philosophers, and scientists have to struggle with chaos to create a new vision into their works. This paper argues that first, the creativity of affects is a mysterious power of our immanence, not nourished by pathology;second, the surreal images of curved and juxtaposed spaces by the artists resonate with the scientific experiments conducted by string physicists who propose the existence of multiverse with the possibility of 11-dimensional spaces. Therefore, the creators have shared the equally-important status as the singular beings in their different modes of lives. Deleuze’s and Guattari’s creative concepts of philosophy help improve the better understanding of the mysterious power of oceanic affects within our immanence. Thus, the general opinion that creativity and mental illness are infamously connected should be entirely re-questioned and re-examined.

关键词： creativity chaos affect surreal images string imagination

Illusion and imagination in Cinema According to Bazin

维普期刊数据库博看期刊评论

在线全文

学校读者我要写书评

暂无评论

Journalism and Mass Communication 2013年第8期3卷 541-547页

作者： Alberto J. L. Carrillo Luis R. Vera Marco A. Calderon Freie Universitat Benemerita Universidad Autonoma de Puebla University of New Mexico

Bazin favored every means to increase the ＂reality coefficient＂ in cinema. He specially prized cinema showing events integrally, what means, on the one hand, to show simultaneously and fully all the characters and all the objects pertaining to an event, and on the other to show the event integrally as it develops in time. Additionally Bazin showed that such a procedure reduces the purely literary component in cinema, and, correspondingly, increases its illusory force--as to the fictional reality presented. Yet, Bazin＇s work is not systematic, giving us brilliant insights scattered through many essays. Following Bazin＇s main idea, this presentation attempts to systematically discuss the illusory potential of the shot presenting an event integrally as compared with the imaginary, that is, literary character introduced in cinema by suggesting an event by means of montage and fragmentary shots. We proceed by means of a detailed consideration of the belief-structure of the aesthetic experience corresponding to the single shot integrally showing an event and to montage suggesting an event by means of fragmentary shots. The core of the presentation lies in defining the concept of aesthetic belief as the propositional attitude having the structure accepting that P without believing that P is the case. We will carefully distinguish that structure in the case of illusion from the case of imagination as well as from illusion as sensory-based deception.

关键词： cinema literature illusion imagination belief

Vision and imagination in the Renaissance Theatre

在线全文

维普期刊数据库

学校读者我要写书评

暂无评论

Journal of Literature and Art Studies 2016年第2期6卷 147-165页

作者： Carlo Fanelli Universita della Calabria Arcavacata (CS) Italy

To see what lacks representation on stage is a fully creative act that the spectator performs thanks to his or her imagination, as （s）he is called to retrieve via memory what is objectively absent from the scene. The Renaissance audience accomplished such a creative act by making use of rhetoric and figurative arts. However, it is pre-eminently words that trigger and support the imagination, as Shakespeare＇s drama best exemplifies. Both in the Elizabethan drama and in the Italian Renaissance theatre, with its perspectival vision, the spectator＇s creative act takes place in an ideal space where the stage space turns into the locus of stereoscopic vision. Consequently, the creation and consumption of the vision originates first and foremost in drama （comedy and tragedy）. The psychological, aesthetic, and anthropological mechanisms at the heart of vision, and the fruition of the images deriving from words, can be found as operating within the dramatic text, from the point of view of both the playwright and of the spectator/listener, in a direct relationship of cause and effect. Religious and especially Jesuitical drama, whose theatrical experience aims at discovering a correspondence between words and images, testifies to the visual power of the theatre.

关键词： imagination vision theatre Renaissance perspective scenery .