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Embodied Faith and the Limits of Female Agency in Randa Abdel-Fattah's Does My Head Look Big in This?

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Fudan Journal of the Humanities and Social Sciences 2023年第1期16卷 23-39页

作者： Saleh Chaoui University of Debrecen DebrecenHungary Sidi Mohamed Ben Abdullah University FezMorocco

The present essay discusses Randa Abdel-Fattah's Does My Head Look Big in This?by focusing on the rendition of Islam as an axis of social agency in an environment that is excessively antagonistic of any version of Islam that falls outside the contours of the "liberal model"morphed by the Western creed of equality,***,the protagonist,embodies the dilemmas of choice and agency within an ideological rubric which disassociates such notions from faith-based *** analysis relies on the notion of Muslim agency as theorized by Saba Mahmood,for whom the conscious formation of deeply rooted religious subjectivities is sidelined within the modern secular rubrics of *** article also draws on W.E.B Du Bois's concept of double consciousness to highlight the extent to which Muslim female bodies are caught at the intersection between religion and ***,this essay discloses the challenges facing Muslim women whose exercise of agency is tied to their religious beliefs in a backdrop characterized by multicultural and secular *** particularly,it explores Amal's religious tradition of habituated practices-such as wearing the veil in a hostile environment--as embodiments of autonomous agency.

关键词： Religious agency Muslim women Performativity Hijab double consciousness

The Catastrophic Effects of African Americans＇ Marginalisation in Ralph Ellison＇s Invisible Man and August Wilson＇s Fences： A Comparative Study

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Sino-US English Teaching 2012年第11期9卷 1702-1710页

作者： Reza Deedari Mahdis Faghih Nasiri Shahid Beheshti University Tehran Iran Islamic Azad University (Karaj Branch) Karaj Iran Islamic Azad University (Karaj Branch) Karaj Iran

This paper explores Du Boisian notion of double consciousness and the notion of black nihilism suggested by Cornel West in Ralph Ellison＇s Invisible Man （1952） and August Wilson＇s Fences （1986）. In order to conduct this study, the researcher adopts African American approach and shows that double consciousness and black nihilism are the immediate effects of African Americans＇ marginalisation. According to W. E. B. Du Bois, all African Americans develop the sense of double consciousness which means being both African and American simultaneously. On the other hand, Cornel West believes that black Americans suffer from nihilism which means loss of hope and absence of meaning. The paper is an attempt to compare the novel Invisible Man and the play Fences thematically based on these two theories. It then looks to find the considerable similarities in the conditions of the protagonists of these two literary works. Although both protagonists migrate to the North to escape Southern racism in the era prior to the Civil Rights Movement, they become totally disillusioned, for they are treated as the invisible marginal. Interestingly though, at the end of both stories, there remains a ray of hope for reactivation and the creation of democracy for black Americans.

关键词： marginalisation double consciousness black nihilism buffer African heritage racism

Feminists＇ Culture and Ethics at Work-- A Critical Analysis

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Journal of Literature and Art Studies 2015年第9期5卷 739-748页

作者： Dr. Jayshree Singh Bhupal Nobles' Post Graduate College Udaipur (Rajasthan) India

The male writers＇ intuitive gift and superb insight describe feminine characters, feminine nature, femaleness, and femininity. In the 19th century, the study of the character logical portrait and cultural traits associated with femininity enunciated feminists＇ discourse to justify vindication of rights as regards women＇s cultural anxiety, political identification, and aesthetic experimentation. Similarly, the women writers＇ imaginative powers characterize women＇s emotions either reflecting shrinking subjectivity or elaborating notion of voluntary subjectivity as regards their experiences and existence, their passions and sensations, and their self and life. The 20th century women＇s writings raised inquiry against presentation of gendered self, performance of gender, gender discontent as regards with their sex and gender, which are assigned at birth as well as also for the alignment of biological sex, sexuality, gender identity, and gender roles. In this paper, the study of the four selected novels such as The Scarlet Letter, Tess of the D ＇Urbervilles, Emma, Surfacing, and Inner Line shows how circumstances, strata of time, and externalities of others objectify woman and her domestic space; how a woman perceives her deprivation as regards her own image which seems nobody to herself due to the sense of low perception; in what way sexual difference and gender-specific practices and ideology enforce woman to chide herself in the given environment and surroundings of legal codifications, moral prescriptions, and medical prognostications. The analyses of the novels draw how woman＇s experience as living subject in the vital dimension of human existence and utopian image of human fellowship is potentially undone by way of sexual exploitation, dismemberment, and embodiment. What kind of vulnerable moments force woman to withdraw from her body and fi＇om her essence is the center of concern in this paper？ While discussing the feminists＇ culture and ethics in their works, the

关键词： feminists' discourse femininity gender-specific practices and ideologies ethics double consciousness cultural position and dismemberment

Analysis of the Existent Dilemma of African American in Song of Solomon

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读与写(教育教学刊) 2014年第11期11卷 3-3页

作者：左艳妮李云辉黄梅东华理工大学行知分院

Toni Morrison, who was awarded Nobel Prize for literature in 1993, is considered as one of the most outstanding novelists on the literary stage in the contemporary world. As an Afro-American female writer, Morrison mainly focuses her attention on the life of the Black and writes a series of novels. In Song of Solomon, Morrison finds that the Blacks face two-ness in their minds which deeply affect their self-realization in the life. Thus, this article intends to analyze the existent dilemma of African American in Song of Solomon under W. E. B. Du Bois’ "double consciousness".

关键词： double consciousness Toni Morrison Song of Solomon

A Rebellious Mimic: Sappho’s Literary Allegiance and Betrayal in Fragment 1 and 16

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Journal of Literature and Art Studies 2022年第6期12卷 613-619页

作者： CHEN Kai Tsinghua University BeijingChina

Sappho’s Fragment 1 and Fragment 16 are both about the feminine love and *** essay invents an original term“rebellious mimic”,based upon Jack Winkler’s theory“double consciousness”,to interpret the two lyrics:“mimic”means that both lyrics,formulaically,adhere or allude to the literary norms which are frequently applied by other male authors while“rebellious”further complements that she creatively alters the conventional themes that are usually expected within such *** one thing,this literary contrast effectively attracts the audience’s attention and highlights the individual voice of Sappho in her *** another,it also alleviates the hostility between genders-it is intended to express that both men’s and women’s world share some common characteristics,instead of establishing one’s supremacy over the other.

关键词： Sappho love gender rebellious mimic double consciousness

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双重性与三重性