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Research on the value of documentary photography to cultural heritage

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校园英语 2020年第10期 213-214页

作者：陈奉雷齐鲁工业大学(山东省科学院)

Through the application of documentary image, we can look back on the past and save the history, which is a kind of information proof or evidence in real *** visual materials are not only recording the changes of the times and life, but also a reflection of social Vientiane and ***’s understanding of everything in the world is based on images,The humanistic documentary photographer transmits certain connotation to the viewer through various photography works created by himself, so that the viewer and the cameraman can reach a resonance in the field of mind.

关键词： documentary value culture photography

An Analysis of Translation Strategies in documentary Roof of the World

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海外英语 2017年第5期 129-132+136页

作者：林莹莹袁建敏 University of Bolton Tianjin Foreign Studies University

The development of digital medium accelerates documentaries’ international broadcasting. The documentary Roof of the World,which CCTV has broad-casted, tells the harmonious stories between Tibetans and the nature. This is a documentary which faces the whole world, and its English dubbing version is popular in international channel. The thesis includes five chapters. Firstly, it is a relevant background introduction of this documentary. Secondly, some relevant literature reviews on translation strategies and C-E documentary translation features are introduced. Then it is a study of domestication strategy and foreignization strategy in Roof of the World. Finally, it concludes that this documentary’s research of translation strategies will be useful for similar video works’ translation.

关键词： Roof of the World documentary translation strategies Domestication Foreignization

A Research on the documentary Subtitle Translation from the Perspective of Reception Aesthetics Theory——A Case Study of the Subtitle Translation of The Story of China

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海外英语 2017年第13期 143-145页

作者：王允河南大学外语学院

documentary is an important form of audiovisual works with the characteristics of both authenticity and artistry, which plays a significant role in the spread of culture and knowledge. Reception aesthetics is a theory of literary criticism raised by the German literature theoretician and aesthetician Hans Robert Jauss in the 1960 s, in which the focus of literary studies is shifted from the author and text to the reader. It emphasizes reader's participation and acceptance during the text understanding, by shifting the central position of studies from the author and work to the reader. It claims that only the works that have been comprehended and delivered by readers possess artistic value and meaning. With the characteristic of audience-centered, documentary happens to coincide with reception aesthetics theory which takes readers' horizon of expectation into consideration. Applying the theory of reception aesthetics as its interpretive framework, this paper makes an effort to study subtitle translation of documentary films.

关键词： documentary subtitle translation reception aesthetics horizon of expectation

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换个角度看世界——试用主体视点回答关于Activity documentary的几个问题

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东南传播 2013年第9期 3-5页

作者：彭艳戎福建师范大学传播学院福建福州350108

许多关于纪录电影或电影的史记编年体的学术著作里,往往把纪录电影推至直接电影就戛然而止了。而对于之后纪录电影更多的描述是独立制片、新纪录电影等。关于系统地阐述Activity documentary的章节还未完全成形,也没有专门的理论来解构... 详细信息

许多关于纪录电影或电影的史记编年体的学术著作里,往往把纪录电影推至直接电影就戛然而止了。而对于之后纪录电影更多的描述是独立制片、新纪录电影等。关于系统地阐述Activity documentary的章节还未完全成形,也没有专门的理论来解构它。本文尝试用拟人论及主体视点解构Activity documentary,以及制作纪录片的导演们,力求更接近该种模式纪录片的本质。纪录电影随着人类的发展史开始了新的篇章。纪录电影早期在纠结于对真实的探究,人们总是把注意力过多地放在是否真实上。这倒也可以理解,毕竟人们不想陷入不可知论的恐慌中,和所有的记载人类历史的方式一样,既然拿起了纪录的工具,那虚假的纪录也就失去了原本的意义。其实纪录电影发展到现在,学术界还不能给它一个非此即彼的界定,既然这样,那么我们就说纪录电影一直在路上好了。伴随着20世纪60年代美国兴起的新左派运动,Activity documentary逐渐走上舞台,它的出现刺激了纪录电影的再一次发展。

关键词： Activity documentary 视点拟人论主体视点

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Virginia Woolf’s New Biographical Experiment in Roger Fry:A Biography

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Journal of Literature and Art Studies 2022年第5期12卷 451-456页

作者： WANG Xin ZHANG Zi-yi Harbin Engineering University Harbin 150001China

Adeline Virginia Woolf,an English novelist and essayist,is regarded as one of the pioneer of stream-of-consciousness *** fact,her innovative spirit is reflected not only in the stream of consciousness novels,but also in her writing of new *** Fry,as Woolf’s only serious biography,contains the documentary features of biography and also expresses her experiment in biography *** manages to give full play to the writer’s subjectivity and uses her unusual narrative strategies so as to complete her poetic expression and endow the biography more literariness.

关键词： new biography documentary narrative strategies literariness

IVaqoyqatsi Between Freedom and Necessity： A Thematic and Modal Analysis

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Sociology Study 2014年第9期4卷 783-790页

作者： Riccardo Migliore Federal University of Paraiba Brazil

This paper refers to the analysis of Naqoyqatsi＇s （2002） contents, which have to be approached through some key questions： What is the director Godfrey Reggio communicating through this non-fictional work？ What is the film＇s main theme？ What is the relationship between its parts？ And above all, which underlying concept attains a central place for the understanding of this film that can be considered as an audiovisual poem？ In these terms, the paper＇s purpose is to unveil Naqoyqatsi＇s meaning through a thematic and modal analysis. The aim is to contemplate both the film＇s narrative and formal aspect, in order to deeply understand the way it represents a basic human contradiction： the subjugation provoked by gravity （necessity） and the will to overcome this superior structural force through action （freedom）. Therefore, this paper intends to show that such a monumental audiovisual work is a very profound cinematographic thesis about human condition, also reflecting about the reason of social conflicts and sorrows. The method adopted in this paper implies both a conceptual film analysis and a glance over the audiovisual style, considering the intersections between the varieties of languages used by Reggio to compose this huge film indexed as a documentary and literally being a creative treatment of＂reality＂.

关键词： Cinema documentary narrative aesthetics

At the Crossroads： Examining a New Paradigm for Documentaries in the Twenty-First Century

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Journalism and Mass Communication 2014年第6期4卷 345-359页

作者： Thomas J. Brown Andrew J. Longcore Laura Wilson Mary Beth Leidman Indiana University of Pennsylvania Indiana USA Ithaca College New York USA Robert Morris University Pittsburgh USA

The culture and history of traditional documentaries carries a set of expectations about types and topics, which are covered by the genre. Documentaries are designed to push social agendas with few thoughts to the audience reaction. They align more closely with the vision of the creators and producers, often delivering ideological expressions that present cultural, political, and historical content. However, this might be a voice from the past as television, film, and consumer-generated content finds easy voices for expression due to accessibility of technology in the digital era. The role of documentaries as a genre is in the process of changing. The challenges to this type of production are the result of both intrinsic and extrinsic factors. Production costs for creating documentaries have simultaneously soared and shrunk, depending on the accessibility of equipment, post-production facilities and distribution. Of course there are many exceptions to this rule given outlets such as film festivals and YouTube as well as Michael Moore-level auteurs. External influences center on the blurring of lines, caused by the proliferation of television programs under the ＂umbrella＂ of reality television. This, in turn, begs the question： Is reality programming the new documentary or is it a new separate genre？ This discussion will explore the overlap and similarities that exist between documentary programming and reality television programming. Furthermore, it will develop a paradigm of comparisons that re-examines the role and character of documentary production and aesthetics within the landscape of the reality television genre.

关键词： documentary reality television comparison paradigm technology future

Research on Media Activism： In and Beyond the Film Sphere

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Journalism and Mass Communication 2016年第10期6卷 600-606页

作者： Huang Ting-ting Chongqing University of Art and Science Chongqing China

For over a century, nofi-fiction film has figured prominently in the public sphere as a powerful means of persuasion Among the different types, video activism is a typical one which has been exploring by many scholars. Thus, this article discussed media activism from different spheres. Though this people could figure the difference between video activism and ordinary social documentaries. And also those studies about the function, mechanism, strategies of the video activism provide a foothold for a further study of media activism.

关键词： media activism video activism social action documentary crisis democracy

A Functionalist Approach to the Translation of Allusions in Chinese Tourism Texts

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海外英语 2016年第9期 149-151页

作者：王红霞青岛黄海学院

Allusions are very common in Chinese tourism texts. When translating them, translators should make the translated version both understandable and acceptable. With Nord's documentary translation and instrumental translation, this paper explores how to apply these two translation processes to the translation of allusions in Chinese tourism texts.

关键词： allusion tourism text documentary translation instrumental translation

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