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Reconfiguration of the brain during aesthetic experience on Chinese calligraphy—Using brain complex networks

Visual Informatics 2022年第1期6卷 35-46页

作者： Rui Li Xiaofei Jia Changle Zhou Junsong Zhang National Engineering Laboratory for Educational Big Data Central China Normal UniversityWuhanHubeiChina Mind Art&Computation GroupDepartment of Artificial IntelligenceSchool of InformaticsXiamen UniversityChina Key Laboratory of Digital Protection and Intelligent Processing of Intangible Cultural Heritage of Fujian and Taiwan Ministry of Culture and TourismChina Center for the Study of Brain and Language Qufu Normal UniversityRizhaoChina Faculty of Education The Edmond J.Safra Brain Research Center for the Study of Learning DisabilitiesUniversity of HaifaHaifaIsrael

Chinese calligraphy,as a well-known performing art form,occupies an important role in the intangible cultural heritage of *** studies focused on the psychophysiological benefits of Chinese *** attention has been paid to its aesthetic attributes and effectiveness on the cognitive *** complement our understanding of Chinese calligraphy,this study investigated the aesthetic experience of Chinese cursive-style calligraphy using brain functional network *** stayed on the coach and rested for several ***,they were requested to appreciate artwork of cursive-style *** showed that(1)changes in functional connectivity between frontooccipital,fronto-parietal,bilateral parietal,and central–occipital areas are prominent for calligraphy condition,(2)brain functional network showed an increased normalized cluster coefficient for calligraphy condition in alpha2 and gamma *** results demonstrate that the brain functional network undergoes a dynamic reconfiguration during the aesthetic experience of Chinese *** evidence that the aesthetic experience of Chinese calligraphy has several similarities with western art while retaining its unique characters as an eastern traditional art form.

关键词： Chinese calligraphy aesthetic experience Electroencephalogram Brain functional connectivity Complex network

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Embodied Perception and Harmonious Unity： aesthetic experience in Merleau-Ponty's Theory of Painting and Chinese Song Dynasty Landscapes

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Fudan Journal of the Humanities and Social Sciences 2016年第2期9卷 303-324页

作者： Jia Chen School of Philosophy Fudan University 220 Handan Road Shanghai 200433People's Republic of China

This paper explores embodied perception and its relation to aesthetic experience based on French phenomenologist Maurice Merleau-Ponty＇s philosophy of painting. The discussion draws cases from both Western art, post-impressionist Paul Cezanne （1839-1906） and non-Western art, Chinese landscape paintings from the Northern Song Dynasty （960-1127）. As I argue, their general vision for the primacy of embodiment in perception is similar; artists in both practices aim at a balance between representing visible forms of nature and interpreting their invisible, yet deeper meanings for human existence. Further, I will argue, a focus on Chinese aesthetic thought helps us recognize the aesthetics of moral existence and hence contributes significantly to self-cultivation. Influenced by Chinese philosophical traditions, Chinese landscape paintings, compared with Cezanne＇s works, exemplify more strongly the indispensable role of the human body and indicate more explicitly a link between embodiment and moral ethics. The latter suggestion of the moral underpinnings in aesthetic perception and experience is particularly significant since Merleau-Ponty has not elaborated upon this point in any explicit manner.

关键词： aesthetic experience Embodiment Perception Merleau-Ponty Chinese landscape painting

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Research on the Reading Comprehension and aesthetic experience of Poster Design Based on Gadamer’s Philosophy

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Journal of Literature and Art Studies 2021年第7期11卷 517-523页

作者： WANG Zhi-jun Academy of Fine Arts Shanxi UniversityTaiyuanShanxi 030006China

Based on Gadamer’s philosophical viewpoint,the research scope starts from the domain of philosophical interpretation and extends to the field of poster design communication and *** this paper,on the one hand,the author explains that art and beauty are basic ways of existence,and artistic experience surpasses the natural science method and is close to philosophical experience and historical experience;On the other hand,the paper clarifies and explains the understanding and being understood in poster design,as well as the understanding characteristics of aesthetic experience and artistic *** analyzing some hermeneutic phenomenon,this paper discusses the aesthetic function of art,and applies the combination of this function and aesthetic perception to the category of *** consideration of the relationship between the two,this paper studies and discusses how to enhance the effect of poster design through effective methods,which would only deepen viewers’understanding of the work,but also enable viewers to enjoy the beauty of different degrees,so as to achieve the purpose of promoting information exchange and emotional communication,and further deepen the design connotation of the *** communication function of poster design works needs to be realized in the application and appreciation,and its content expression needs to be realized in the subject understanding *** need to feel the unity of the meaning and form of the works in the poster design practice and experience,and explore the purpose and intention of the works of poster design in the aesthetic experience of art,thereupon then get the understanding of reality and the perception of the future of design,and then achieve the lofty pursuit of artistic aesthetics.

关键词： philosophical hermeneutics horizon fusion poster design aesthetic experience

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A Cross-Cultural Reflection on Shusterman＇s Suggestion of the ＂Transactional＂ Body

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Frontiers of Philosophy in China 2015年第2期10卷 181-191页

作者： Eva Kit Wah Man Department of Humanities and Creative Writing Hong Kong Baptist University Hong KongChina

This short article explores the meaning of Shusterman＇s ＂transactional body,＂ derived from his statement that the will is not a purely mental affair that is independent of physical modality but is always an interaction with its environment. While he appreciates the Deweyan interaetional model, he develops the ＂transactional mode,＂ which he implies should expand the body-mind unity to the level of social and cultural conditions. Shusterman finds similar integrations and transactions among the mental, psychophysical and physical levels in Asian philosophical traditions. This article conducts a comparative study between his theory and Mencius＇ understanding of the body. Within the discussion, the analysis of aesthetic experience explicated by Dewey and Shusterman is reviewed as the link to the comparison.

关键词： Richard Shusterman body cross-cultural transactional interactional,heaven aesthetic experience

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The Legacy of Alois Riegl: Material Authenticity of the Monument in the Digital Age

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Built Heritage 2017年第2期1卷 29-40页

作者： Alexandra Harrer School of Architecture Tsinghua UniversityBeijingChina

The Austrian art historian Alois Riegl(1858-1905)revolutionised the European concept of the monument and paved the way towards the codification of the historicity of artefacts at the international ***,conservation work and relevant terminology still build upon the principles first outlined in his work Der moderne Denkmalkultus(1903)more than a hundred years *** yet,modern information/communication technologies have long challenged the idea of‘age value’(Alterswert),of a monument possessing value simply because it shows‘signs of age’(Altersspuren),through their ability to digitally recreate historical architecture in its original form and thereby to transcend the boundaries of time and *** paper discusses the challenges and opportunities for monument preservation in the 21st century in the light of Riegl’s thoughts on how to perceive(‘visualise’)the *** investigates the validity of Riegl’s theories in the context of today’s virtual reality/ies at a theoretical level,and their potential for advancement in preservation theory,expanding on historical thoughts rooted in 18th and 19th century preservation *** analysing Riegl’s commemorative values,stratigraphic picturing of history’s material debris,and fear of formlessness,this paper explores digitisation as the driving force for change in attitude from traditional,restrictive thinking to a modern way of thinking which is receptive to new technological developments,including,for example,exploring augmented and virtual realities as a means of achieving the sensory aesthetic experience required by age value.

关键词： Alois Riegl Austrian(Habsburg)Empire modern conservation theory material authenticity age value(Alterswert) digital environment virtual reality/ies aesthetic experience stratigraphic picturing conjectural recovery

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西方公共领域的发展与审美经验的变迁

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文艺理论 2007年第9期 119-124页

作者：陈炎王彦章

作为一种自由表达观点、平等交换意见的社会场所，一个时代的“公共领域”对于人们的思维方式、行为方式和情感方式起着积极的塑造作用，并潜移默化地影响着“审美经验”的形成。在古希腊城邦制度中，以广场为核心的“公共领域”起着集... 详细信息

作为一种自由表达观点、平等交换意见的社会场所，一个时代的“公共领域”对于人们的思维方式、行为方式和情感方式起着积极的塑造作用，并潜移默化地影响着“审美经验”的形成。在古希腊城邦制度中，以广场为核心的“公共领域”起着集合公民意见、统一城邦意志的作用，这种政治上的民主博弈与当时悲剧和雕塑艺术中个人与群体、感性与理性的矛盾统一是一致的。在中世纪政教合一的文化环境下，以教堂为中心的“公共领域”受到了严重的异化和扭曲，这种信仰上的约束、钳制与当时音乐和建筑艺术中的神秘主义和禁欲主义情绪是一致的。在现代民主社会的环境下，以议会为核心的“公共领域”起着平衡左右政党、稳定社会局势的作用，这种激进主义与保守主义的相互制衡与当时文学艺术上的浪漫主义与现实主义的相互对峙是一致的。在后现代经济全球化、文化多样化、信息一体化的环境下，“公共领域”也出现了多层、多样、多元的复杂局面，这种无中心、无边界的状态也在直接或间接地影响着人们的“审美经验”。

关键词：公共领域审美经验历史变迁 public sphere aesthetic experience history evolution

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审美体验的层次

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美学 2004年第8期 74-79页

作者：王苏君

审美体验的过程是一个循序渐进的动态过程。审美体验可以分为许多层次，层次越高，主观的成分就越大。按照由浅入深的精神活动进程，审美体验大致可分为三个层次：直接体验、认同体验、反思体验。直接体验是审美体验的起点。认同体验和... 详细信息

审美体验的过程是一个循序渐进的动态过程。审美体验可以分为许多层次，层次越高，主观的成分就越大。按照由浅入深的精神活动进程，审美体验大致可分为三个层次：直接体验、认同体验、反思体验。直接体验是审美体验的起点。认同体验和反思体验是对直接体验的进一步深化和提升。

关键词：审美体验直接体验认同体验反思体验 aesthetic experience direct experience identical experience introspective experience

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The development trend of paper-based media under the media convergence trend

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International Journal of Technology Management 2015年第4期 82-84页

作者： XinYu LI Henan University of Animal Husbandry &Economy Henan Zhengzhou450046China

The emergence of media convergence have so huge impact on paper-based media that paper-based media no longer has a monopoly. Some people assert that paper-based media will come to an end. However, the author believes that the paper media will not come to an end under the media convergence trend. It will develop parallel with media integration. The reason why the author has this view is that, on one hand, paper-based media has its unique physical characteristics. In the real world, paper media brought us the aesthetic experience by ＂five senses＂ . It cannot be replaced by the media convergence. The paper media will also make survival steering dimension; on the other hand, cultural heritage of the paper media make itself a unique appreciation of the value and not transcendent. Therefore, the paper media in the media convergence trend will continue to exist and turned to be ＂concept book＂ that admiring is the main part and reading supplemented.

关键词： media integration paper media five senses dimension aesthetic experience

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郭象哲学与魏晋山水审美经验的嬗变

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美学 2018年第6期

作者：余开亮

魏晋山水审美经验经历了由情感化山水观向玄化山水观的转折过程。郭象哲学正是促使新旧两种山水审美经验进行转换的深层理论依据。郭象的自生独化说阐明了一种性、理自足的物性理论，从而在自然观上昭示了山水独立价值的生成；郭象的物... 详细信息

魏晋山水审美经验经历了由情感化山水观向玄化山水观的转折过程。郭象哲学正是促使新旧两种山水审美经验进行转换的深层理论依据。郭象的自生独化说阐明了一种性、理自足的物性理论，从而在自然观上昭示了山水独立价值的生成；郭象的物我玄冥观确立了一种新型的物我关系，从而架构了一种人与山水“冥于当下”的观照经验。郭象哲学在东晋玄言诗人那里被具体落实为一种“寓目直观、山水生动之理、审美之境”玄同一体的结构性山水审美经验，而这种山水审美经验则为谢灵运山水诗的正式登场做好了美学准备。

关键词：郭象哲学性玄冥山水审美经验 Guo Xiang's philosophy nature Xuan-ming landscape aesthetic experience

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消费领域共创价值的机理及对品牌忠诚的作用研究

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市场营销（理论版） 2013年第1期 52-65页

作者：王新新万文海

结合社会学的互动理论和心理学的审美体验理论，探索在消费领域共创价值中共创价值的价值内容、消费者创造价值的行为表现、企业的行为表现及其作用、共创价值的机理以及消费领域共创价值对品牌忠诚的作用。基于理论分析，以汽车品牌社... 详细信息

结合社会学的互动理论和心理学的审美体验理论，探索在消费领域共创价值中共创价值的价值内容、消费者创造价值的行为表现、企业的行为表现及其作用、共创价值的机理以及消费领域共创价值对品牌忠诚的作用。基于理论分析，以汽车品牌社群为实证研究对象，对其成员进行访谈和问卷调查，使用R软件，采用贝叶斯估计方法对数据进行回归分析。实证研究结果表明，在消费领域，消费者能够与企业共同创造价值，并且消费者主导价值的创造，企业只需起到支持性作用，消费者主导的共创价值与其品牌忠诚正相关，并提出消费者与企业共创价值的举措以及企业培育消费者品牌忠诚的新思路。

关键词：消费领域共创价值消费互动审美体验品牌忠诚企业行为 co-creation value in consumption area consuming interaction aesthetic experience brand loyalty enterprise behavior

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