检索结果-南通市图书馆

Writing Green Snake, Dancing White Snake, and the Cultural Revolution as Memory and Imagination --Centered on yan geling＇s Baishe

引用

Frontiers of Literary Studies in China-Selected Publications from Chinese Universities 2017年第1期11卷 7-37页

作者： Liang LUO Department of Modern & Classical Languages Literatures & Cultures College of Arts & Sciences University of Kentucky Lexington KY 40506-0027 USA

Following Kenneth King＇s pioneering transmedial synthetic writings on post-modern dance practices and Kimerer L. LaMothe＇s call for dance to be treated seriously in religious and philosophical discourses, I examine yan geling＇s novella Baishe （White Snake, 1998）, in relation to Lilian Lee＇s novel qingshe （Green Snake, 1986-93）, with a focus on how dancing and writing function literally, metaphorically, dialectically, and reciprocally, in these narratives. In my textual and contextual analyses of yan＇s White Snake text, I borrow Daria Halprin＇s therapeutic model for accessing life experiences through the body in motion. I argue that, through a creative use of writing and dancing as key metaphors for identity formation and transformation, yan＇s text, in the context of contemporary China, offers innovative counter-narratives of gender, writing, and the body. yan＇s White Snake is considered in the following three contexts in this paper： firstly, the expressiveness of the female body in the White Snake story; secondly, the tradition and significance of writing women in Chinese literary history; and thirdly, the development of dance as a profession in the PRC, with a real-life snake dancer at the center. These three different frameworks weave an intricate tapestry that reveals the dialectics of writing and dancing, and language and the body, throughout the latter half of twentieth-century China. Furthermore, yan＇s text foregrounds the Cultural Revolution as an important chronotope for experimentation with a range of complex gender identities in relation to the expressive and symbolic powers of dancing and writing.

关键词： dancing writing yan geling White Snake Lilian Lee Green Snake the Cultural Revolution gender the body counter-narratives

来源：

维普期刊数据库评论

在线全文

维普期刊数据库

学校读者我要写书评

暂无评论

Quiet Currents beneath the Torrents of Revolution： Everyday Life in Two Novels by yan geling

引用

Frontiers of Literary Studies in China-Selected Publications from Chinese Universities 2014年第4期8卷 617-630页

作者： Yunzhong SHU Classical Middle Eastern and Asian Languages and Cultures Queens College The City University of New York Queen NY 11367-1597 USA

As a revolutionary leader, Mao Zedong had a new vision of China as a reformed revolutionary society. Challenging this radical social vision in The Ninth Widow （Di jiu ge guafu, 2006） and One Woman＇s Epic （Yige nuren de shishi, 2007）, the contemporary Chinese writer yan geling describes how the characters retain their personal mentalities and habits in everyday life as they ignore, outmaneuver or even defy the political demands of revolutionary China. Focused on yan＇s depiction of everyday life, the present paper offers a close reading and analysis of the two novels in relation to the theories of Pierre Bourdieu, Alf Ludtke and Michel de Certeau. It pays special attention to yan＇s depiction of everyday life as a site where the characters in the novels bring their human agency into play as they satisfy their human needs and maintain their individual characteristics. Ultimately, it shows how yan＇s depiction of everyday life questions the reach and efficacy of dominant ideology in revolutionary China.

关键词： yan geling habitus everyday life revolutionary China politicalsocialization human agency

来源：

维普期刊数据库评论

在线全文

维普期刊数据库

学校读者我要写书评

暂无评论

The Analysis of Oriental Tendency in The Lost Daughter of Happiness from the Perspective of Cross-cultural Imagology

引用

海外英语 2020年第21期 222-224页

作者：王源锦中国传媒大学

yan geling’s novel The Lost Daughter of Happiness rebelled to the tendency of Orientalism in the current Western con⁃*** this fiction from the perspective of the new subject cross-cultural imagology conforms to the context of cross-cul⁃ture,the need of Chinese cultural consciousness and the interpretation to complex *** from the image of The Lost Daughter of Happiness,Chinese workers and Chris,taking the method of textual analysis and literature reading,this thesis aims to interpret“the other”-orientalization tendency about male and female from Western culture and the self-orientalization tendency in narrative ways and writing skills in the ***,as a matter of fact,this way can be seemed as a method of yan geling’s endeavor to deconstruct the Orientalism from the narrative means and writing skills in a mask of orientalization,which points out a way for the new immigrant literature,that is,diasporic literature writers can make full use of regional barriers,cultural connections and life experiences to open up an enclave of *** is,“the third space”came up with by Homi ***,so writers can regard it as an experimental plot to break the Western discourse authentically and establish cultural self-confidence gradually.

关键词： Cross-Cultural Imagology yan geling The Lost Daughter of Happiness Orientalization

来源：

维普期刊数据库

同方期刊数据库评论

在线全文

学校读者我要写书评

暂无评论

欢迎您,

建议与咨询留下您的常用邮箱和电话号码，以便我们向您反馈解决方案和替代方法

时间限定

文献类型

馆藏选择

核心期刊

语言

文献类型

帮助

文字说明：

检索规则说明：

检索范例：

分类表

所选分类

限定检索结果

文献类型

馆藏范围

日期分布

学科分类号

主题

机构

作者

语言

在线全文

在线全文

在线全文

请选择保存的检索档案：

请选择收藏分类：

通借通还

欢迎您,

建议与咨询 留下您的常用邮箱和电话号码，以便我们向您反馈解决方案和替代方法

时间限定

文献类型

馆藏选择

核心期刊

语言

文献类型

帮助

文字说明：

检索规则说明：

检索范例：

分类表

所选分类

限定检索结果

文献类型

馆藏范围

日期分布

学科分类号

主题

机构

作者

语言

在线全文

在线全文

在线全文

请选择保存的检索档案： 新增检索档案 确定 取消

请选择收藏分类： 新增自定义分类 确定 取消

通借通还

建议与咨询留下您的常用邮箱和电话号码，以便我们向您反馈解决方案和替代方法

请选择保存的检索档案：

请选择收藏分类：