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The Crises of Modern poetry

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Comparative Literature:East & West 2014年第2期 71-87页

作者： Huanguang XU Fudan University

诗人,诗意情怀,诗意栖居:诗人是写诗的人。对诗人来讲,写诗是抒发其诗意情怀,并达到诗意栖居的一种方式。然而有诗意情怀者未必是诗人,他还可以是智者、哲学家。诗人也未必都有诗意情怀,但诗意情怀仍以诗人为最。欲诗意栖居者必先有诗... 详细信息

诗人,诗意情怀,诗意栖居:诗人是写诗的人。对诗人来讲,写诗是抒发其诗意情怀,并达到诗意栖居的一种方式。然而有诗意情怀者未必是诗人,他还可以是智者、哲学家。诗人也未必都有诗意情怀,但诗意情怀仍以诗人为最。欲诗意栖居者必先有诗意情怀,欲得诗意情怀者必先保持不泯的童心,欲保持不泯的童心必先得世界大同,而大同不常有,故诗人注定困苦一生,除非放弃操持,舍出世为入世,乞食苟活于流俗间。诗意情怀者亲近大自然,思虑单纯,重精神轻物质,因而和社会进步是相逆的。社会越发达,人类越容易被物化并失去自我,生存空间和想象空间被无限挤压,诗意情怀蜕变沉沦。精神领域的危机,科技进步的双刃剑效应,让诗意栖居不再现实。自由体诗脱了旧镣铐,落了新窠臼,门槛降低,与散文的界限变得模糊,美感丧失。诗歌传统功能被置换,写作大众化,传统诗歌挑战,诗人就此走下神坛。现代诗正在经受的困境前所未有。

关键词： poetry 诗意栖居自由体诗现代诗诗歌传统精神领域 poetry 者必 Whitman h

Imagists:the Pioneers of Modern poetry

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Comparative Literature:East & West 2006年第1期 179-191页

作者： Xiao Qinghua,Southwestern University of Finance and Economics

意象主义是发生于1909-1917间的一场英美诗歌运动。他们反对传统的诗歌创作,强调任意选择题材,自由地创作自己的韵律,采用白话口语并表现出坚定、清晰与凝聚的意象。本文讨论了意象产生的背景,原则及影响,进而阐明了它是现代诗的先河。

关键词： poetry 意象派诗歌创作现代诗任意选择 Lowell writer founder lit

German poetry in African Languages： The Translation of Selected German Poems From an Intercultural Perspective

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Journal of Literature and Art Studies 2017年第3期7卷 255-263页

作者： Louis Ndong University Cheikh Anta Diop Dakar Senegal

The article deals with the translation of German poetry into Wolof and is based on Tamsir Annes＇s translation of German poems under the title Tdere-Woy yi/Das Buch der Lieder. My purpose in this paper is to answer the question of how elements of the vocabulary of sciences （literature and philosophy） as well as cultural specific items are rendered in the Wolof target text. Therefore, in this work, I explore methods and strategies of translation like borrowings, paraphrases, and analyze furthermore some differences noticeable in the translation of some poems at the cultural level. These analysis-steps enable the investigation of, contextually, the central issue of ＂cultural translatability＂ and the reception of translation of European poetry into African languages in general and German poetry into Wolof in particular. The article also focuses on the importance of the reception of German poetry in Wolof as a means of intercultural communication between German and Wolof-speaking countries but as means to develop African languages like Wolof in which the translation of the selected poems has been operated.

关键词： translation poetry cultural strategies intercultural communication

The Artistic State of Ancient Chinese Classical poetry

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Journal of Literature and Art Studies 2019年第6期9卷 640-645页

作者： Yang Qingcun Shanghai Jiao Tong University

The “poetry” is the spiritual and artistic creation of human during historical practice and civilization development, as well as a kind of literary style with both refined and popular tastes, strong flavor of life, wide range of dissemination, and strong vitality of art. While,“Ci”, as one of the poetry types with strong national characteristics, has always been enjoying the same reputation as “poetry” in the history of Chinese literature development.

关键词： poetry creation development

（Re）Ciphering Nations： Greece as a Constructed Illegibility in Odysseas Elytis＇s poetry

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Journal of Literature and Art Studies 2014年第1期4卷 25-33页

作者： Аlvaro García Marín Consejo Superior de Investigaciones Cientificas Madrid Spain

In their attempt to construct their identity in opposition to European one, non-Western new nations with alphabets such as Greek, Hebrew, or Cyrillic, used them as a way of emphasizing difference, and thus provide symbolic spaces for the newborn nations. The illegibility of these alphabets for Western people, along with the ancient prestige of at least Hebrew and Greek, fostered the illusion of temporal continuity and provided legitimacy to their atomization projects. Odysseas Elytis （1911-1996）, Nobel Prize for Literature winner in 1979 and the last national poet of Greece, blends this old tendency in Greek culture and the broader claim of modern European poets for the essential autonomy of art and literature. His efforts to reinforce the walls separating Greece from Latin-Western culture by reinforcing the illegibility of both Greek and poetic idioms, aim at constructing a more essential Greece, founded on aesthetics, language, and writing instead of politics, institutions, or geographic borders. In this paper engaging mainly in the fields of literary and postcolonial studies, the author intends to analyze the mechanisms by which language, writing, or literature can be used to （re）cipher once again the already exclusive concept of nation, and thus to undermine every possibility of deciphering and translatability. He concludes that in “conceptually colonized” nations such as Greece, this process implies and anticolonial movement still caught nevertheless in a colonial discursivity.

关键词： Modern Greece postcoloniality writing illegibility poetry

The Road Not Taken by Robert Frost or Empathic Cognition and the Role of Symbols in Comprehension of poetry

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Sino-US English Teaching 2016年第3期13卷 213-218页

作者： Irina Kladenova MBOU of the City of Kurgan "Gymnasium No. 47" Kurgan Russia

The role of empathic cognition is very ＂great for philosophers and philosophy in general and for ordinary people. Empathic cognition gives people a chance ＂to let＂ the emotions of the Other ＂go＂ into their minds. Empathic cognition is based on so-called co-suffering and in-sensation of the feelings of the Other or Others. Clots of energy or certain energy units are formed in consciousness of each person, they are called ＂subjective representants＂. It is possible to understand the Other or Others and to decipher the main idea of the poem （if the task to work on translation is given） and to express it in the native language if to find out not only the meanings of the words but the symbols the author has used in his poem. The reader ＂goes into＂ the world of the author trying to be near the author and trying to grasp what the author felt working on the poem. There is something what gives us a possibility to enter into the world of a creative personality. This ＂something＂ is empathic cognition.

关键词： empathic cognition the Other (the Others) subjective representant symbols poetry

Confessional Poetics of Abjection in Women poetry: A Comparative Analysis of Sylvia Plath’s “Daddy” and Zhai Yongming’s “Mother”

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海外英语 2019年第21期 201-206页

作者：李映蓁 School of Foreign Languages Hanshan Normal University

Becoming famous in 1960s,American confessional poetry,in response to High Modernism as impersonality and totalobjectivity,shifted focus on personal *** such confessional flow rushed into China in 1980s,it provided Chinese poets a confessional voice to write and investigate significant issues of world,life and ***,writing in different languages and periods does not stop them to implement the same mission:to adopt a confessional voice,represent trauma as blackness and darkness in women experience and bring light,meanwhile,achieve one’s own truth and liberation.

关键词： confessional poetry Sylvia Plath Zhai Yongming “Daddy” “Mother” abjection black and darkness truth and light

Communities and the Poetic Imaginary：A Folklore Essay on the poetry of the Wild Project

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Journal of Literature and Art Studies 2016年第2期6卷 105-120页

作者： Suzanne P. MacAulay University of Colorado at Colorado Springs Colorado Springs Colorado United States

poetry of the Wild is an ongoing artistic and literary project that according to originator Ana Flores＇ conception, invites the public ＂out for a walk＂ to freshly experience their world through word, sound, and image. Inspired by birdhouse design, these unique configurations of ＂poetry boxes＂, combining art and poetry are located in various communal open spaces. Each new project solicits a public response from us all to become catalysts for exploring our environs and questioning how a sense of place informs our consciousness. A folkloristic perspective shapes this discussion about the many variations of this collaborative and public project of poetry boxes, installed on trails, in parks, along rivers, and in library stacks over the past ten years. The primary concerns of folklore interpretation such as tradition, identity, cultural creativity, performance, and narrative analysis, are just a few of the dynamics that can be teased out from investigating a project with such interesting cultural parameters. In this context, cultural sustainability and poetic sensibility deepen our understanding of sense of place, environmental aesthetics, shrine markers, and the scope of individual and communal creative action.

关键词： poetry art aesthetics folklore shrines sense of place

Interpretation of Image in poetry from a Perspective of Figure-ground Theory

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Journal of Literature and Art Studies 2022年第5期12卷 427-433页

作者： LI Chen GAO Wen-cheng University of Shanghai for Science and Technology ShanghaiChina

Figure-ground theory is originated from psychology and was then introduced to cognitive *** basic principle of figure-ground theory is *** figure is a theme and the background serves a foil to *** Chinese and English poetry use different images,some of which are figures and some are *** paper interprets image in poetry on the basis of figure-ground theory.

关键词： figure-ground poetry left blank