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Chinese Sources for AfterWards:From Premodern poetry,Paintings,and Medical Texts to Modern Novels,Film,and Documentaries

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Chinese Medicine and Culture 2023年第2期6卷 127-138页

作者： Marta Hanson Independent Scholar Max Planck Institute for the History of ScienceBerlin 14195Germany

This paper focuses on Chinese sources suggested for a narrative medicine(NM)program,called *** Lauren Small established AfterWards in 2014 and has been coordinating it since out of the Pediatrics Department at Johns Hopkins *** early 2019,she started giving a series of lectures and workshops about AfterWards to Chinese medical educators and clinicians in Beijing and *** created an AfterWards Facilitator’s Guide based on Western-language sources for workshop *** also started to organize with Jiang Yuhong(Peking Union Medical College)a workshop for Chinese colleagues to be held at Johns Hopkins Medicine in October *** invited the author to *** idea was hatched then to develop Chinese source materials following the AfterWards structure for an updated Facilitator’s Guide that Dr Small had initially written.A typical one-hour AfterWards session consists of a specific five-part structure:a literary text or artwork,an associated theme,discussion topics,a writing exercise,and shared *** the content of the program always changes from session to session,the basic structure remains the *** paper summarizes the types of Chinese sources and their related narrative-medicine themes that were originally selected for inclusion in the updated AfterWards Facilitator’s Guide intended for Chinese *** sources about coping with sick family members,aging,and illness ranged from the textual(classical Chinese poems on aging and diagnostic forms for training students)and visual(premodern Chinese paintings and murals of medical encounters)to the fictive(novels)and performative(contemporary Asian-American film in English and Chinese-language film and documentaries).

关键词： Documentaries Films Murals Narrative medicine Novels Paintings poetry

The Identity Vacillation of a Technological Elite： The Tension between poetry and Technology in Liu Cixin＇s ＂The poetry Cloud＂（Shi yun）

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Frontiers of Literary Studies in China-Selected Publications from Chinese Universities 2015年第3期9卷 417-435页

作者： FAN Yilun Department of Cultural and Religious Studies The Chinese University of Hong Kong ShatinHong Kong China

This article explores Chinese science fiction writer Liu Cixin＇s 刘慈欣 novelette ＂The poetry Cloud＂（Shi yun, 1997） by contextualizing it within the debate between scientism and humanism in 1990s China, an event that has been downplayed in its significance in shaping Liu＇s ideas. The first section of this article will investigate how the narrative framework of science fiction represents and refreshes the symbolic meaning of poetry in the abovementioned context. Secondly, by analyzing the three main characters, Yiyi, Big-tooth, and Li Bai, with a focus on their perceptions of poetry, the next section will discuss the different opinions they represent with regard to the debate. Finally, by studying Liu＇s work in the context of Martin Heidegger＇s reflections upon technology, the last section examines his solution to the tension between scientism and humanism in the programming of a poetry cloud that marries poetic imagination with technological means. This article argues that the story demonstrates how Liu, a technological elite, vacillates between technological determinism and humanism, and tries to provide a possible solution to their inherent contradictions.

关键词： Liu Cixin identity poetry technology humanism scientism

Religion and Rationality, poetry and Philosophy： In Search of the ＂Axial Breakthrough＂ in Ancient Greece

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Fudan Journal of the Humanities and Social Sciences 2016年第4期9卷 543-554页

作者： Hugh Bowden King's College London London UK

Axial age theory suggests that a major transformation of thought occurred across several civilisations, including ancient Greece, in the period 800-200 BCE. This paper questions whether any such transformation can be identified in ancient Greece. It focuses on texts associated with ＂mystery religions＂ and the works of Presocratic philosophers as potential evidence for transformation. It demonstrates that there was a continuity of thought throughout the period, and that ＂rationality＂ was never seen to be in conflict with ＂traditional religious ideas＂.

关键词： Axial Age Religion poetry Presocratic Mystery Greece Herodotus - Parmenides

On Expression in Emily Dickinson's poetry

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On Expression in Emily Dickinson's Poetry

作者：黄蔚红郑州大学

学位级别：硕士

该论文旨在分析狄金森诗歌表现的独特之处。本文采用形式主义美学的表现说和朱光潜先生关于诗歌的谐隐之说。文中所分析的表现是指“用外在的语言去翻译内在的情感和思想”。其独特之处在于她诗歌的表现建构在两个原则上：幽默和隐晦。... 详细信息

该论文旨在分析狄金森诗歌表现的独特之处。本文采用形式主义美学的表现说和朱光潜先生关于诗歌的谐隐之说。文中所分析的表现是指“用外在的语言去翻译内在的情感和思想”。其独特之处在于她诗歌的表现建构在两个原则上：幽默和隐晦。本文共分为四章。第一章“引言”对狄金森诗歌总的特点进行概括，并对论文的内容和结构予以介绍。第二章“狄金森诗歌意义的表现”的第一节从主题、谴词和修辞手法三个方面阐述其幽默原则在表意方面的运用。她以诙谐的措辞、幽默的语调和形象的比喻把诸如爱、死亡、社会弊病等极其严肃的话题巧妙地展现在读者眼前。该章的第二节向读者展示了隐晦原则在表意方面的充分运用。诗人从日常生活中摘取意象的契合点，利用隐晦的表现手法展示诗歌的深厚蕴味。她的诗蕴含双重或多重意义——虽然措辞简练，但由于诗人大量使用了转义的修辞手法，故其诗作常显得晦涩难懂。第三章“狄金森诗歌形式的表现”主要阐述了她诗歌形式的表现手法对传统诗学在韵律方面的大胆扬弃。为达到充分表意的目的，她在韵律上常常使用近似韵，在节律上大胆尝试非传统的节奏模式，从而使其诗歌呈现出浓厚的现代自由诗体的色彩。第四章“结论”对狄金森诗歌表意表现和形式表现进行了综合评价，并指出这些表现手法在她诗歌创作中的重要作用及其对后世诗歌创作的重要影响。

关键词：诗歌形式狄金森传统诗学谐隐近似韵表现说晦涩难懂朱光潜先生社会弊病 poetry

poetry and the Limits of Language

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Language and Semiotic Studies 2015年第4期1卷 95-107页

作者： Lyn Mc Credden Deakin University

This essay argues that poetic language offers the possibility of meaning and value,and simultaneously points beyond itself,to the limits of language,to a space differently confi gured as erasure,silence,the unsignifi *** does it suggest,epistemologically and ontologically,if we acknowledge this double action of poetic language?What might this space beyond language be,and what difference does it make if we acknowledge this space?The essay examines four poems and the different ways in which they acknowledge such a space,drawing on the historically distinct approaches of Meister Eckhart and Jacques Derrida in order to ask what the space beyond language might *** argument of the essay is that in acknowledging such a space something opens up for writers and readers of poetry:a different approach to knowing,and a potentially humbled ontological position.

关键词： poetry poetic language meaning-making limits of language

poetry, Ellipsis, and Katherine Mansfield＇s ＂Special Prose＂

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Journal of Literature and Art Studies 2015年第3期5卷 169-176页

作者： SHIEH Wen-Shan Shih Chien University Kaohsiung Campus Taiwan

In this essay, the author proposes to explore Mansfield＇s ＂special prose＂ by examining the two issues raised in her journal entries： First, the phrase ＂perhaps not in poetry. No, perhaps in Prose＂ in her journal entry of 22 January 1916 shows that Mansfield plans to experiment with a kind of poetic prose, or in her own words--＂special prose＂. The profound affinity between the ＂special prose＂ and the notion of elegy, ＂a mournful poem for the dead＂（OED, ＂elegy＂, n. sense 1）, calls attention to her work＇s decisive but still insufficiently examined relationship to poetry and her preoccupation with mortality. Second, the words ＂scraps＂, ＂bits＂, and ＂nothing real finished＂ in her journal entry of 19 February 1918 indicate that the mortal fragility she writes about in her ＂special prose＂ is closely bound up with verbal fragility, as embodied, for example, in the form of an ellipsis mark that she uses extensively elsewhere in her short stories. Her connection to poetry and her use of ellipsis marks will be discussed by looking at the impact of John Keats＇s poems on her own work and ＂The Canary＂（1922）, the last story she completed before her death.

关键词： Mansfield Keats poetry "special prose" ellipsis mortal fragility

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poetry and Cinema

Journal of Literature and Art Studies 2012年第4期2卷 480-482页

作者： Cedric VanEenoo Bangkok University Bangkok Thailand

poetry can be seen as a means for communicating a message in a unique vision. The same can be applied to cinema. Literature precedes the making of a film in most cases. The preparation for a movie is written in much details, be it for stories, scenes, dialogues, storyboards, or technical descriptions. In that extend, words are the genesis of cinema. poetry is a unique way to express one＇s point of view in a metaphoric way, far from common means of communicating a message. This purpose is the one of many a film director with daring, controversial, or highly personal ideas. The study will concentrate on the link of cinema with poetry based on the concept of rhymes and rhythms.

关键词： poetry cinema art rhymes metaphors cinematography narrative

poetry Translation and Cultural Transmission——the English Version of the Classical Chinese Poem “Bring in the Wine”

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海外英语 2019年第14期 45-46页

作者：刘圆圆长江大学

This article,based on the English version of Li Bai's Classical Chinese Poem“Bring in the Wine”,explores the important position of cultural transmission in the English translation of the Classical Chinese Poem through the comparison of the cultural translation,and finally draws the rationality and feasibility of the creative translation techniques in the English translation of the Classical Chinese *** points out that the alienation of the Chinese culture's external communication has ignored the reader's cultural acceptance ability and position of the western countries and regions dominated by the foreign *** is believed that in a long period of time,Chinese culture needs the translation of Chinese translators to dissimilation,the translation of foreign sinologists,domestication,and alienation,to meet the needs of different types of readers and to promote the Chinese culture to go out.

关键词： English translation of classical poetry cultural transmission Li Bai “Bring in the Wine” creative translation foreignization domestication

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poetry Poems

明日风尚 2011年第2期 208-208,14页

作者：翟永明艾米莉·狄金森