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Drawing the identity of architect:Liu Jipiao as an artistic architect in the late 1920s China

Frontiers of Architectural Research 2021年第3期10卷 584-597页

作者： Lina Sun The Bartlett School of Architecture University College LondonLondon WC1E 6BTUnited Kingdom

This article investigates the responsibility of architectural drawing in developing the professional identity of modern architects in the late 1920s when Chinese architects started to emerge and assume the title of“architect.”Using architectural drawing as both its subject and its method,this research interrogates how a representative figure-Liu Jipiao employed the power of drawing to establish the identity of the modern Chinese *** paper argues that architectural drawing,in establishing the identity of the Chinese architect,faced the requirement to build an affinity between the architect and the *** entangled history of these two professions offers up Liu as the representative figure of the artistic ***’s artistic drawing fulfilled the previously mentioned requirement and earned the architects the artistic power that distinguished them from their counterparts-the *** the perspective of multiple modernities,the paper challenges the contemporary misreading of Liu Jipiao as an irrelevant individual intellectual and of his practice as a minor ***,this article invites further reflection on the modernity of Chinese architectural drawing,and shows how such drawing made more attempts to convey subjectivity rather than to transmit modern technique per se.

关键词： Identity of Chinese modern architect Architectural drawing Artistic architect Liu Jipiao multiple modernities

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Modern Heritage, the Other, and the Anthropocene

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Built Heritage 2018年第4期2卷 31-41页

作者： Edward Denison The Bartlett School of Architecture University College LondonLondonUnited Kingdom

The 2020^(th) century was modernism’s century;a comparatively fleeting moment in which the human race’s transition to an urbanised species created an entirely new geological epoch:the *** existential challenge for our species in the 21st century will be to transform the modern city into a site of truly sustainable human *** challenge requires us to engage critically with the past in a way that serves the needs of the future,globally and *** Historic Urban Landscapes(HUL)approach,together with the UN’s Sustainable Development Goals and UN Habitat’s New Urban Agenda,offers a framework for meeting this challenge and,critically,to change our relationship with both the past and the future.

关键词： modernism heritage Anthropocene multiple modernities Historic Urban Landscapes(HUL) the other UNESCO

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＂They Are Married to kunqu＂ ——Cultural Studies Inspired by a Chinese Traditional Theatre

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Journal of Literature and Art Studies 2017年第3期7卷 288-299页

作者： CHEN Lin International Research Group "InterArt Studies" Freie Universitfit Berlin Berlin Germany

In recent decades, a new type of cultural upsurge surrounding kunqu1 has arisen in Chinese language sphere, though respectively due to different reasons in China's Mainland, Hong Kong, Taiwan and other Chinese diaspora. Against the global trend of culture heritage nationalization context, via the new media platform, the performative staging of individual emotions and reverie in the market society2, the longings to redeem various alienation in a vertical modernity3, as well as the yearnings for emotional balance in a burgeoning feministic modernity, all integrate with each other and together generate a restless transforming memory for kunqu. Just like a misty veil, this complex, contentious, contradictory and long-lasting collective memory-making process blurs kunqu＇s appearance, expands its layers, and ultimately generates a cultural myth. With detailed case studies this paper aims to reflect upon the deep reasons for the kunqu myth and to probe the transformative powers of a performative space in enabling remembrance and/or forgetting.

关键词： kunqu performative space classical cultural upsurge multiple modernities cultural memory

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转向与超越：美国学界的五四研究

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中国现代史 2020年第5期

作者：杨华

美国早期的五四研究主要局限在思想史领域。1970年代以来，受新文化史和全球史的影响，美国的五四研究出现路径转向，开始从政治文化史、日常生活史、地方史、全球史等视角发掘新的学术增长点。与此同时，受美国中国学从“冲击—回应”... 详细信息

美国早期的五四研究主要局限在思想史领域。1970年代以来，受新文化史和全球史的影响，美国的五四研究出现路径转向，开始从政治文化史、日常生活史、地方史、全球史等视角发掘新的学术增长点。与此同时，受美国中国学从“冲击—回应”“传统—现代”到“中国中心观”范式变迁的影响，美国学者开始探讨五四运动的传统因素和五四运动在地方的表现等问题。受后现代史学的启发，美国学者试图以探求多元现代性和“去五四中心化”的研究路径来超越“五四范式”。美国的五四研究呈现出研究范围不断扩大、从宏大叙事的五四到解构的五四、从五四到非五四的趋势，但缺乏中国本土五四研究中的现实关怀。

关键词：美国学界 “五四范式” 多元现代性 “去五四中心化” American Chinese Studies May Fourth Paradigm multiple modernities Decenter May Fourth

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