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How Locality Generates Modernity: Reflections on Qiao Ye's Baoshui Village

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Frontiers of Literary Studies in China-Selected Publications from Chinese Universities 2023年第4期17卷 365-370页

作者： YAN Jingming China Writers Association Beijing 100013China

Novel writings in China in 2023 display a tendency toward locality which exhibits two characteristics:One is the“sense of hometown,”and the other is the“integration of locality with Modernity.”Qiao Ye's novel Baoshui Village is a representative work that achieves“Modernity”through“locality”How contemporary novels portray the changing countryside,and how they handle and grasp the relationship and proportion between change and constancy;how to find the right way to integrate the geographical,ethnic,and modern aspects of a novel;how locality generates Modernity;and how Modernity can accommodate and activate locality are not only theoretical questions that need to be deeply explored but also issues of writing that need continuous exploration in practice.In this sense,Baoshui Village is worth cherishing.

关键词： Qiao Ye Baoshui Village locality Modernity rural writing

The Multiple Images of Modernity

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Social Sciences in China 2022年第4期43卷 4-23页

作者： Wan Junren 黄德远 Department of Philosophy Tsinghua University

The multiple images of Modernity are used here to put forward and corroborate the possibility of the genesis of multiple modern civilizations and their very Modernity while confirming the prior existence of modern Western civilization. In examining the complexity, inner tensions and contemporary predicaments appearing in the formation and evolution of earlier Western Modernity, this paper reveals the basic mechanisms of Modernity and the various possible approaches to it, that is, the fact that there are more possibilities for Modernity other than the Western one. Economic globalization is the first step and the only pathway towards the Modernity goals of human society, and any deglobalization or antiglobalization will hinder or check the progress of human society towards the ideal goal of Modernity. History and the real-world economy demonstrate that “building a community with a shared future for mankind” is so far a more suitable and more explanatory guiding concept for seeking and approaching the human ideal of Modernity; it surpasses existing concepts such as “ecumenicalism,” “cosmopolitanism,” and “globalism,” and is the latest understanding of the Modernity of human society in contemporary China.

关键词： Modernity multiple images a community with a shared future for mankind

Rooted in Tradition, Embracing Modernity： Zhou Zuoren＇s Interest in Modern Japanese Haiku and Tanka and His Promotion of Short Verse in China

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Frontiers of Literary Studies in China-Selected Publications from Chinese Universities 2018年第3期12卷 424-448页

作者： Frederik H. Green Department of Modern Languages and Literatures San Francisco State University San Francisco CA 94132 USA

When late Qing and early Republican-period Chinese reformers grappled with the challenges of creating a new poetic language and form in the early decades of the twentieth century, Zhou Zuoren （1885-1967）, one of modern China＇s most influential intellectuals, believed that much could be learned from the experiments of modern Japanese poets who had overcome similar challenges in the decades following the Meiji restoration. Of all the verse forms Japanese poets were experimenting with, Zhou was particularly interested in modern haiku and tanka. Zhou felt that the modern haiku and tanka＇s rootedness in tradition on the one hand and their ability to express modern sensibilities on the other could offer a model for Chinese poets seeking to create a poetic voice that was at once modern, but also anchored in traditional poetics. This article will analyze some of Zhou＇s translations of modern haiku and tanka and illustrate how these translations led him to promote a new poetic form in China, typically referred to as ＂short verse＂（xiaosh0. By further reading Zhou＇s critical essays on modern Japanese poetry against the writings of a number of Western modernist poets and translators who themselves were inspired by East Asian verse forms--Ezra Pound in particular--I will comment on the degree to which Zhou＇s promotion of short verse inspired by modern Japanese haiku and tanka challenges a perceived Western role in legitimizing East Asian forms as conducive to modernism.

关键词： Zhou Zuoren Ezra Pound modern Chinese poetry modern Japanese poetry haiku tanka translation Modernity modernism late qing dynasty Republican-period

The Solution to Current Psychosocial Problems and the “Unfulfilled Enlightenment” of Modernity in the New Era

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学术界 2019年第9期 208-216页

作者： Sun Shujing College of Marxism Henan University of Science and Technology

The transition period of Chinese society has spawned many psychosocial problems in China,which are characterized by high incidence,universality and growth. Compared with social and economic development,the devel-opment of social psychology has been relatively slow for a long time,which has led to the prevalence of psychosocial problems and the lack of Modernity cultivation in China's modernization. Xi Jinping theory on socialism with Chi-nese characteristics(SCC) in the new era is a scientific plan for the all - round development and modernization of SCC,and it contains rich ideas of Modernity. It is also the ideological inheritance and innovation of Marx's "full and free development of human beings",and the basic strategy of cultivating the Modernity of the new era. Therefore,it is an important way to solve the current psychosocial problems in China through the Marxist theory and the "unfulfilled enlightenment" of the theory of the new era.

关键词： psychosocial problems Modernity new era unfulfilled enlightenment

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Modernity and PostModernity： The Characteristics of Postmodern Cultural Media

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Frontiers of Philosophy in China 2017年第2期12卷 265-277页

作者： TONG Li Research Institute for European and American Cultural Philosophy Tianjin Foreign StudiesUniversity Tianjin 300204 China

From the academic frontier of Modernity and postModernity, the author aims at exploring the fission between Modernity and postModernity and also the characteristics of postmodern cultural media from a philosophical vantage point. This paper illustrates three aspects of Western Modernity： individual Modernity, social Modernity, and instrumental Modernity, and it also clarifies the issues in Modernity, starting by explaining three forms of the cultural fission： avant-garde, modernism, and postmodemism. The paper then demonstrates that the rise of postmodemity represents a new transformation and new characteristics of contemporary Western spirit, namely, the collision and compatibility of various concepts, in which popular culture and high culture, mass culture and elite culture, fashion and games as well as noise and silence have constituted an uncanny landscape of cultural media. This eerie landscape displays the indeterminacy of language, culture, art, consciousness, and aesthetics. From the perspective of theoretical innovation, the author proposes that the postmodem cultural media always displays its commodity and instrumentality, plays and entertainment, anti-culture and anti-art, replication and fabrication logically and practically as an outcome of post-industrial society. In conclusion, three critical issues are addressed： personal spiritual belief, the development of mass culture, and aesthetic principles. The postmodern cultural media has deeply influenced traditional culture, aesthetics, and how they are evaluated, resulting in cultural conflicts and a humanistic dilemma in the world of contemporary capitalism.

关键词： Modernity postmodemity postmodem cultural media characteristics

The Modernity of the Ancient-Style Verse

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Frontiers of Literary Studies in China-Selected Publications from Chinese Universities 2015年第4期9卷 551-580页

作者： YANG Zhiyi Department of Sinology University of Frankfurt 60323 Frankfurt am Main Germany

This article explores the stylistic innovations in the Ancient-Style Verse （gutishi 古体诗）, and particularly in the subgenre ofgexing 歌行, from the Late Qing to the 1930s and 1940s. It argues that the relative free prosody of the Ancient-Style allowed innovation disguised as restoration. Yet, instead of being the prelude to modem vernacular poetry, the innovations in this genre may have found an end in themselves--namely, creating a style of verse which showed a unique combination of modern elements and deliberate stylistic archaism. Its lyric archaism and innovation were formulated in dialectical terms, which have been frequently evoked in the reformative moments of the Chinese tradition. This paper examines the evolution of the new gexing style through the close reading of a few gexing poems by Huang Zunxian 黄道宪（1848-1905）, Liang Qichao 梁启超（1873-1929）, Lin Gengbai 林庚白（1896-1941）, and Liu Yazi 柳亚子（1887-1958）. Given the rise of vernacular poetry since 1917, the poems of Lin and Liu may be called the Classicist Verse, which represents the author＇s conscious choice to elaborate on the subject matter using a particular classical genre, when other modern genres are available. In the end, I will also discuss the gexing style verses by Li Sichun 李思纯 in the translation of multi-stanza European poetry, as a practice in accord to the indigenization agenda of the Critical Review magazine.

关键词： Lyric Classicism Ancient-Style Verse Modernity gexing HuangZunxian Liang Qichao Wang Lixi Lin Gengbai Liu Yazi

以“更微妙的语言”守护超验性——查尔斯·泰勒现代性书写中的陀思妥耶夫斯基

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基督教文化学刊 2021年第1期 158-177页

作者：俞航广西师范大学文学/新闻与传播学院

一、查尔斯·泰勒的现代性思想与陀思妥耶夫斯基之影响现代性(Modernity)是一个矛盾复合体,其时间起点和诸种特征难以一概而论,并在很多方面都存在着自相抵牾之处。学者对作为历史阶段的现代(modern)之剖析各有不同。有些学者认为现代... 详细信息

一、查尔斯·泰勒的现代性思想与陀思妥耶夫斯基之影响现代性(Modernity)是一个矛盾复合体,其时间起点和诸种特征难以一概而论,并在很多方面都存在着自相抵牾之处。学者对作为历史阶段的现代(modern)之剖析各有不同。有些学者认为现代性已经结束进程,需要进行一种更为激进的后现代解构式伦理。而有些学者则认为现代性是"未尽的",需要推进其论证。

关键词： Charles Taylor Modernity Dostoevsky a subtler language transcendence

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中国改革开放40年财富观念的嬗变及其现代性反思

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中国特色社会主义理论

中国特色社会主义理论 2018年第12期 21-29页

作者：宁殿霞

改革开放40年是中国人传统财富观念向现代财富观念嬗变的关键期，财富创造模式从最初的积累过去转向激活未来，财富的保存主要经历了“藏”“存”“投”等形式，财富积累模式从物质财富积累转向货币财富积累，财富衡量尺度从物质财富、... 详细信息

改革开放40年是中国人传统财富观念向现代财富观念嬗变的关键期，财富创造模式从最初的积累过去转向激活未来，财富的保存主要经历了“藏”“存”“投”等形式，财富积累模式从物质财富积累转向货币财富积累，财富衡量尺度从物质财富、货币财富逐步转向以数据显示的财富。财富观念的嬗变不仅体现着中国现代性发育的轨迹，更是中国特色社会主义优越性的显现。中共十八大以来，党和国家的一系列政策体现出财富的人民性和共享性，预示着人民财富论的谱写和财富共享时代的来临。

关键词：改革开放40年现代性财富观念人民性财富共享 40 years of reform and opening up Modernity wealth concept people's nature wealth sharing

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宗教世俗化与英国小说的现代性

基督教文化学刊 2010年第1期 177-204页

作者：陈秋红青岛大学

小说的兴起究竟是由哪些因素促成的?18世纪英国文学中何以小说独领风骚?尽管批评家们已经引导我们在政治、经济、哲学、社会学等路径中发现了相当迷人的线索,但令人满意的答案似乎仍不明朗。

关键词： Religion secularization Modernity novel

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