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Narrator,Anti-hero and Tragedy:A Comparative Reading of American Pastoral and Lord Jim

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Journal of Literature and Art Studies 2021年第1期11卷 1-12页

作者： DENG Jian-ying Shenzhen University ShenzhenGuangdongChina

American novelist Philip Roth demonstrated admiration for and intimacy with Joseph Conrad’s *** abound of Roth’s direct and oblique references to Conrad’s novels.A close and comparative reading of Roth’s American Pastoral and Conrad’s Lord Jim reveals the intertextuality between the two novels in three aspects:narrative techniques,characterization and the protagonist’s *** incorporating Conrad’s Lord Jim into the fabric of American Pastoral through intertextuality,Roth rewrites Jim’s story in a new historical and social context,throwing new light on the canonical work and revealing the dilemma and tragedy of American Jewish immigrants in their pursuit of American Dream.

关键词： American Pastoral Lord Jim intertextuality narrator anti-hero tragedy

“A Vagabond and a Slave”:Frankenstein as(African-American)Slave Narrative

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Journal of Foreign Languages and Cultures 2018年第2期2卷 45-60页

作者： Grant Matthew Jenkins University of Oklahoma

Although several studies have examined the influence of the context of slavery on Romanticism as well as Romanticism’s influence on the discourse of abolition,few have considered the ways in which narratives by former slaves who lived in the Americas have conditioned the production of *** soon after the abolition of the slave trade in England,Mary Shelley’s Frankenstein in particular has been read as a major part of Romanticism’s anti-slavery *** has even been seen by some as contributing to the language and tropes necessary for the development of abolitionist discourse and the slave narrative throughout the first half of the nineteenth *** the tradition of the slave narrative,particularly autobiographies written by former slaves who were born in Africa but lived in America,precedes the novel and,to some extent,*** study proffers the position that without African American slave narratives such as Olaudah Equiano’s 1789 The Interesting Narrative of the Life of Olaudah Equiano,or Gustavus Vassa,The African,Written by Himself,Shelley’s novel would not have been *** looking closely at the formal,generic,and ideological elements of both narratives,I conclude that Shelley does indeed draw intertextually upon the slave narrative tradition in constructing her own ***,Equiano’s narrative’s political challenge to an entire economic and social order enables Shelley’s own social critique,which emerges as much more complex and ambiguous than previously thought.

关键词： slave narrative Romanticism African-American intertextuality historicism

A Corpus-Based Contrastive Critical Genre Analysis of Universities’Introductory Discourses

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Journalism and Mass Communication 2018年第5期8卷 268-276页

作者： YU Weiwei Zhejiang University HangzhouChina

Educational discourses,or to be more specific,universities’introductory discourses have not been studied from the contrastive perspective using critical genre analysis *** study uses Fairclough’s framework of discourse analysis to take a corpus-based contrastive study between the Chinese and global universities’introductory discourses from three ***,the textual dimension will be explored using the corpus-based ***,it studies from the discursive dimension from intertextuality and ***,the social cultural perspective study will be given about the corresponding social cultural interpretation on the differences between Chinese and global universities’introduction discourses.

关键词： university introductory discourses discourse analysis corpus-based intertextuality social cultural practice

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初探互文性视角下的自译与他译（英文）

科学中国人 2016年第1X期 134-页

作者：郭斯大连铁路卫生学校

Self-translation is a particular phenomenon of *** a kind of translation mode,the combination of the author and the translator,self-translation has its own *** notion of intertextuality was put forward in the 1960s for the first time by Kristeva,a French literature *** this thesis,the writer compares the self-translation and conventional translation from the perspective of intertextuality in terms of completing the original text,interpreting the text,rewriting the text and micro-intertextuality,in order to sum up the advantages of the self-translation.

关键词： Self-translation Conventional Translation intertextuality

分流与失道：从后结构符号学论清代山水画的衰落

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造型艺术 2019年第2期

作者：段炼

清代山水画为何衰落及怎样衰落的问题，可以概括为两个观点：其一，就中国艺术史而言，由于山水画在明末失去了主流地位，于是清初山水画对传统的承续便出现分流的情况；其二，就山水蕴意而言，中国山水画的寻道之旅自清初逐渐停步，山... 详细信息

清代山水画为何衰落及怎样衰落的问题，可以概括为两个观点：其一，就中国艺术史而言，由于山水画在明末失去了主流地位，于是清初山水画对传统的承续便出现分流的情况；其二，就山水蕴意而言，中国山水画的寻道之旅自清初逐渐停步，山水之道开始失落。这一讨论的逻辑起点，是将清初众多而复杂的山水画群体归为四者：模仿前人的正统派山水、东山再起的僧人山水、个人主义的创新山水、向世俗妥协的文人山水。清代山水画衰落的实质可以借鉴格雷玛斯的符号矩阵，描述文人山水作为主流的衰落路径，描述艺术元语言的失落，以及清代绘画分流的生态，还有雅各布逊的传播模式和克里斯蒂娃的后结构主义理论的支撑。

关键词：分流失道格氏矩阵互文性对话复调一画 Diversion Tracklosing Greimas Matrix intertextuality Dialogue Polyphony The Primordial Line

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中国画文本的功能及实施

造型艺术 2015年第6期

作者：周毅

中国画中，题跋是文字符号构成的文本，有锚固、接续或补全图像意义，具有和图像一起“经营位置”的功能。谐音系联、互文系联是国画文本功能实施的重要途径。

关键词：国画题跋谐音互文 traditional Chinese painting preface and postscript homophonic intertextuality

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马克思主义艺术生产视阈下的误读理论