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Expression of pain and distress in children during dental extractions through drawings as a projective measure: A clinical study

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World Journal of Clinical Pediatrics 2016年第1期5卷 102-111页

作者： Sai Priya Pala Sivakumar Nuvvula Rekhalakshmi Kamatham Department of Paedodontics and Preventive Dentistry Narayana Dental College and Hospital

AIM: To evaluate the efficacy of drawings as a projective measure of pain and distress in children undergoing dental ***: Children in the age range of 4-13 years with existence of untreatable caries or over-retained primary teeth, indicated for extractions were included. Pain was assessed using one behavioral, faces, legs, activity, cry and consolability(FLACC) scale; and a self report measure; faces pain scale-revised(FPS-R), at two points of time, after completion of local anesthetic administration and after extraction. The general behavior of children was assessed with Wright's modification of Frankl rating scale. At the end of the session, children were instructed to represent, themselves along with the dentist and their experiences of the dental treatment through drawing. The drawings were scored utilizing Child drawing: Hospital scale(CD: H) manual and correlated with FLACC, FPS-R and Frankl using Pearson correlation ***: A positive correlation, though statistically not significant, was observed between CD: H scores and all other considered parameters(Frankl, FPS-R and FLACC) in the present ***: drawings could not act as surrogate measure of child's pain; however, they acted as a narrative of his/her experiences and reflection of inner emotions. Hence, drawings can be used as an additional dental armamentarium.

关键词： Anxiety Child Distress drawings Pain

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汉鼓吹铙歌《朱鹭》篇新解

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中国古代、近代文学研究 2013年第12期 11-17页

作者：曾智安

汉鼓吹铙歌《朱鹭》篇的来历、主题、音乐形态等问题困扰学界千有余年，历来歧说纷纭。利用出土的汉代画像、器物造型，结合曲辞大意，对汉鼓吹铙歌《朱鹭》曲的主题及音乐形态进行新的解读，可以认为，《朱鹭》是采用歌舞对唱形式，隐... 详细信息

汉鼓吹铙歌《朱鹭》篇的来历、主题、音乐形态等问题困扰学界千有余年，历来歧说纷纭。利用出土的汉代画像、器物造型，结合曲辞大意，对汉鼓吹铙歌《朱鹭》曲的主题及音乐形态进行新的解读，可以认为，《朱鹭》是采用歌舞对唱形式，隐喻男女欢合、子孙昌盛这一汉代普遍流行的思想观念与艺术主题。这一结论并对聚讼数百年的“汉鼓吹铙歌为军乐说”构成根本性的质疑。

关键词：《汉鼓吹铙歌十八曲》《朱鹭》画像石雁鱼灯 18 Han military songs Nipponia nippon drawings goose and fish lantern

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X-Ray Vision: The Mental Genealogy of the Anatomy of the Interior of the Human Body

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Journal of Biosciences and Medicines 2019年第8期7卷 68-76页

作者： Maria do Rosário Dias José Grillo Evangelista Letícia Naben Isabel Ritto Ana Ferreira CIMPS-EM-Campus Universitário Quinta da Granja Monte de Caparica Caparica Portugal CIEBA-Faculdade de Belas-Artes Universidade de Lisboa Lisboa Portugal

Background: The concepts of the Young Person and of an Elderly Person go through an evolutionary diversification during the Human lifecycle and are permeable to diverse biopsychosocial factors involved in the definition of the lifecycle stages. Therefore, assessing this subjectivity in different stages of development and population fringes may be a determinant key factor to assist the implementation of successful disease prevention and health promotion strategies. Aim: The aim of the present study was to discern how Fine Arts’ college students of the Anatomy class mentally represent the inner morphology of the human body of the Young Person and of an Elderly Person. Method: For such, 126 students were asked to draw the interior of the body of a Young Person and of an Elderly Person. In all, 252 drawings were collected and analysed, based on a coding data grid designed for this purpose. Hence, a comparative analysis of these two different vital lifecycle phases was achieved. Results: The results suggest anatomical differences in the pictorial representation of the Young Person and of the Elderly Person, namely in the accentuation of the curvatures of the vertebral column, retrusion of the lower jaw and muscle flaccidity. Conclusions: Although the body schema was the same for all individuals, the body image was singularly depicted and linked to each individual’s history, representing a synthesis of his idiosyncratic perceptions, experiences and particularities.

关键词： Mental Representation Human Inner Body Young Person Elderly Person drawings

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Illustrations for Dante＇s Inferno： A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro

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Cultural and Religious Studies 2016年第8期4卷 488-520页

作者： Liana De Girolami Cheney SIEALE Universidad de Coruna Spain

This essay is twofold： the first part focuses on the interpretation of the concept of Hell in Dante＇s Inferno and Italian culture as depicted in Last Judgment scenes such as Giotto＇s in the Arena Chapel of Padua; Signorelli＇s in the Orvieto Cathedral; and Michelangelo＇s in the Sistine Chapel in Rome. The second part deals with the drawing illustrations for the text of Dante＇s Divine Comedy composed by the Florentine painters Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Here the emphasis is on Dante＇s Inferno, which comments upon Neoplatonic personalities, Florentine politics, and current popular art. Comparisons with some of Botticelli＇s, Stradano＇s, and Zuccaro＇s drawing illustrations indicate the assimilation of classical artistic concepts such as Horace＇s ut pictura poesis [as is painting so is poetry] as well as Plato＇sfurorpoeticus [poetical inspiration] promoted in the writings of Marsilio Ficino, a Renaissance Neoplatonic philosopher.

关键词： Dante Divine Comedy canto (chant) Hell creativity poetry drawings Botticelli Stradano Zuccaro Neoplatonism utpicturapoesis furorpoeticus Marsilio Ficino

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