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Frontiers of Literary studies in China-Selected Publications from Chinese Universities 2013年第2期7卷 271-286页

作者： Christoph Jacke Faculty of Arts and Humanities University of Paderbom Paderbom 33098 Germany

This paper begins by explaining current developments in popular music research, mainly in connection with approaches used in international media and cultural studies. It then provides an overview of German-language research methods and discourses on popular music. In addition to the traditional reflections from musicology and music education, nine perspectives will be described, primarily from the media, communications, culture and social sciences. These nine contemporary perspectives are distributed along lines of thematic focus, moving beyond disciplines or fields per se. This paper will close with a list of suggestions for popular music research and education in the German cultural sphere, insisting above all on a clear connection/link, in the sense of a mixing/incorporation/integration, with （current） international discourses. Finally, the paper synthesizes German research, not only to systematize it but also to illustrate its diversity and multiperspectivity.

关键词： popular culture popular music media studies cultural studies popmusic research trends and perspectives transdisciplinarity

cultural studies in science education: A philosophical appraisal

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Cultures of Science 2023年第2期6卷 199-213页

作者： Michael R Matthews University of New South Wales

The emergence of cultural studies as a scholarly programme and its adoption in science education are outlined;problems flowing from its commitment to Thomas Kuhn's epistemological relativism and ontological idealism are detailed; the gulf between the citing and the reading of Kuhn is noted; the malaise of obscurantist writing is documented; final y, problems of pursuing cultural studies research without philosophical input are indicated.

关键词： Constructivism cultural studies Kuhn philosophy obscurantism idealism

A Politics of Engagement: On Stuart Hall, cultural studies and Intellectual Practice

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Journal of Foreign Languages and Cultures 2017年第1期1卷 131-136页

作者： Glenn Jordan Cardiff University

This paper discusses eleven key features of Stuart Hall’s life and work:(1)his view that being an intellectual is a serious,often difficult vocation;(2)his commitment to studying the“here and now”—the present conjuncture;(3)his refusal to think of“the cultural”as separate from structures,relations,and practices of power;(4)his dedication to public engagement,including innovative use of television;(5)his practice of collaboration as a mode of intellectual production;(6)his privileging of the essay—the short intervention;(7)his recognition of the importance of oration,rhetoric,and performance—and learning to speak with multiple tongues;(8)his long-term engagements with artists—especially“Black”British artists;(9)his self-reflexive posture;(10)his commitment to practices of humility;and(11)his adoption of a critical-intellectual stance that is simultaneously optimistic and pessimistic.

关键词： cultural studies culture and power Stuart Hall public intellectuals

＂All Happy Families＇： The Sopranos and Television Culture in the Twenty-First Century

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Frontiers of Literary studies in China-Selected Publications from Chinese Universities 2016年第3期10卷 474-494页

作者： Rainer Winter Institute of Media and Communications Faculty of Cultural Sciences Alpen-Adria UniversitaetKlagenfurt 9020 Klagenfurt Austria

Since the 1980s, cultural studies have analyzed television in the context of the present. They have asked how soap operas and TV series contribute to the circulation of meanings and pleasures in everyday contexts. John Fiskes coined the concept television culturein his very successful book with the same title Taking The Sopranos as an example, this article shows that quality TV is an outstanding contribution to television culture. The show is more complex, more layered and more intertextual than the shows of the 1980s that Fiske interpreted. The Sopranos is a postmodern cultural phenomenon that appeals to different groups of viewers. It is no longer only about the addicted fans, but also about critical viewers who want to better understand themselves and their lives, and also about connoisseurs and art enthusiasts to whom serial reception becomes a distinctive feature. This article comes to the conclusion that popular culture in the sense of cultural studies is still of important political significance in the twenty-first century.

关键词： cultural studies television culture quality TV The Sopranos,popular culture media studies narrative structure intertextuality

Minor Movies： On the Deterritorialising Power of Wong Kar-wai＇s Works

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Frontiers of Literary studies in China-Selected Publications from Chinese Universities 2012年第4期6卷 582-597页

作者： Sebastian Nestler Department of Media and Communication University of Klagenfurt Klagenfurt 9020 Austria

The article approaches Wong Kar-wai＇s cinematic work using the notion of ＂minor literature＂ as coined by Gilles Deleuze and F61ix Guattari. Minor literature--or, in other words, minor language signifies oppositional/resistant uses of a major/hegemonic language. It appropriates hegemonic language and deterritorialises it by re-signifying its original meanings. By transferring this concept from literature to cinema, we can describe Hong Kong cinema, which deterritorialises Hollywood cinema, as a minor cinema in relation to Hollywood. Following this interpretation, Wong Kar-wai＇s movies appear as a ＂minor language of a minor cinema＂ because they are significantly different from Hong Kong＇s mainstream action cinema. Consequently, Wong＇s movies possess a high level of deterritorialising power, which opens up new spaces of meaning and gives voice to positions usually oppressed by mainstream cinema. Finally, a close reading of Wong＇s movie Happy Together shows how ＂minor movies＂ challenge the mainstream＇s unison and give space to a resistant and transforming polyphony.

关键词： film studies cultural studies post-structuralism Hong Kong cinema,Wong Kar-wai minor movies Happy Together

Remembering Raymond Williams:His Theoretical Heritage to China’s World Literature and Culture studies

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Journal of Foreign Languages and Cultures 2022年第2期6卷 88-98页

作者： Ning Wang Shanghai Jiao Tong University

Raymond Williams,the eminent British Marxist literary theorist,was introduced to China in the late *** his theories have since been increasingly attractive to China’s literary and cultural *** not only touched upon some of the fundamental issues of Marxist literary theory,such as ideology,culture,hegemony and aesthetics,but also developed it with his dynamic construction of a sort of cultural materialism,thus bridging between Marxist socio-historical and aesthetic criticism and cultural and linguistic *** literary and cultural theory is in decline in the West,Williams’s legacy is still appreciated in international circles,which ought to be cherished and inherited by us Chinese scholars in our studies of world literature and culture.

关键词： Raymond William Marxism and Literature world literature literary theory cultural studies China

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论从文学研究到文化研究的范式转型

文化研究 2009年第3期 109-117页

作者：杨玲

文学研究和文化研究的关系问题是近年来国内学术界颇为关注的热点话题。本文试图通过回顾英美学界从文学研究到文化研究的范式转换的内在动因，为讨论另辟蹊径。论文将重点分析文学研究和文化研究在研究对象、研究方法和学科理念等三个... 详细信息

文学研究和文化研究的关系问题是近年来国内学术界颇为关注的热点话题。本文试图通过回顾英美学界从文学研究到文化研究的范式转换的内在动因，为讨论另辟蹊径。论文将重点分析文学研究和文化研究在研究对象、研究方法和学科理念等三个关键领域的差异。笔者认为文化研究不是困扰文学研究发展的一个问题，而是解决文学研究诸多内在问题的一个潜在方案。

关键词：文学研究文化研究范式转型 literary studies cultural studies paradigm shift

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文化研究的问题意识与本土实践

文化研究 2014年第11期 6-11页

作者：陶东风邹赞

中图分类号：G119 文献标识码：A 文章编号：1007－4074(2014)04－0006－06 DOI:10.13438/***.2014.04.002 邹赞(以下简称“邹”)：陶老师您好，我们了解到，您的学术之路始于对文艺理论基本问题的梳理与问思，比如对古典美学、文艺心... 详细信息

中图分类号：G119 文献标识码：A 文章编号：1007－4074(2014)04－0006－06 DOI:10.13438/***.2014.04.002 邹赞(以下简称“邹”)：陶老师您好，我们了解到，您的学术之路始于对文艺理论基本问题的梳理与问思，比如对古典美学、文艺心理学、文体学的关注，研究的大致路径是较早吸收了西方现当代文论一些理论资源和观照视角，以此介入有关中国古典文论和美学的深度思考。您后来转向了对当代中国社会文化现象的考察，论题涉及大众文化、流行文化、后现代后殖民的文化语境、粉丝文化、文化政策等等，那么促使您个人学术兴趣转移的根本动力是什么？陶东风(以下简称“陶”)：我从事学术研究大概开始于1985年。那年我到北京师范大学读研究生，我的导师童庆炳先生当时正在热心推动文艺心理学的研究，他主持了一个文艺心理学方面的国家项目，于是带着我们一批硕士生一起做这个课题。那时候正值八十年代中期，整个国家、社会都蒸蒸日上、比较有朝气，社会发展的方向也比较明确。我呢，一开始是一个不怎么关心政治的人，但是这里面有一个前提，就是我觉得当时大到国家发展的方向、社会转型的方向，小到我个人的人生道路、政治理想，都比较清晰，没有遭遇太多的困惑。我认为恰恰在这种情况下，比较适合做一些相对纯粹的学术。所谓纯粹的学术，就是跟政治离得比较远，有较大艺术自主性。我当时选的研究课题是“中国古代心理美学研究”，后来成了我生平出版的第一本书(《中国古代心理美学六论》)，其特点是用西方的一些思想资源来分析中国古代美学当中的几个核心命题，包括虚静、发愤著书、空灵等概念，不成系统。此后我转向关于文体和文学史理论的研究，还是跟政治离得比较远，充其量只能说是对文化哲学有一点兴趣，但还没有具体到政治哲学。一个主要的转变是发生在89年以后。89年以后，我觉得整个社会的发展方向发生了变化，其中比较重要的，比如说八十年代的新启蒙由于种种原因难以为继，社会的现代化规划被修正，现代化原本呈现在两个方面，一个政治民主化，一个经济市场化。但到了89年以后政治体制改革基本上停顿下来了，市场经济以一种新的方式加速发展。尤其到1992年以后，这个变化特别明显。此前我们也讲市场化，但主要是在理论层面上探讨，而且市场化的空间主要在农村。1992年之后开始推进城市国企的市场化改革。另外，文化领域也出现了市场化的趋势，一时间演员走穴、文人下海、教师停薪留职去经商等成为文化教育领域的热门话题。在这样的背景下，文艺学研究者需要处理的一个迫切命题就是文化要不要市场化，这种市场化会带来什么样的消极后果？同时存在的另一个重要问题是民族主义思潮兴起，这个思潮的兴起和新启蒙的衰落有直接关联，或者说这两者就是一枚硬币的两面，新启蒙是一种普遍主义话语，而民族主义思潮是一种特殊的价值取向，强调中国自身的特殊性。这种民族主义思潮的勃兴对应着当时的特定社会情势，比如后殖民主义批评话语被引进，中美两国外交关系出现裂隙，南海摩擦和中国驻南斯拉夫大使馆被炸相继发生等等。中国的民族主义情绪很强烈，新启蒙主义的影响在下降，甚至不再能发出任何声音了。

关键词：文化研究问题意识本土实践陶东风 cultural studies consciousness of problems local practice Tao Dongfeng

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怎样对“红色经典”做文化研究