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2013东方纪元·中韩友好现代音乐节(武汉—首尔)中韩作曲家室内乐作品音乐会在我院成功举办

黄钟（武汉音乐学院学报） 2013年第3期 F0003-F0003页

作者：田可文武汉音乐学作曲系

2013年5月22日晚，由武汉音乐学院、韩国创乐会主办，我院作曲系承办的“2013东方纪元·中韩友好现代音乐节（武汉一首尔）中韩作曲家室内乐作品音乐会”在我院成功举办。本次音乐会演奏了我院作曲家彭志敏、赵曦、龚华华、黄汛舫以及... 详细信息

2013年5月22日晚，由武汉音乐学院、韩国创乐会主办，我院作曲系承办的“2013东方纪元·中韩友好现代音乐节（武汉一首尔）中韩作曲家室内乐作品音乐会”在我院成功举办。本次音乐会演奏了我院作曲家彭志敏、赵曦、龚华华、黄汛舫以及韩国作曲家金承琳、李京美、金范起、李爱莲的优秀作品。

关键词：武汉音乐学院室内乐作品现代音乐节作曲家音乐会中韩首尔方纪

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现代音乐再现欧洲古城——ISCM“2014波兰国际现代音乐节”见闻

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戏剧之家 2018年第5期 47-51,54页

作者：施子伟刘浏四川音乐学院四川成都640000

2014年10月3日至12日,ISCM"2014波兰国际现代音乐节"在欧洲古城弗罗茨瓦夫举行。笔者亲历整个庆典,对音乐节期间的音乐会和作品进行简明介绍,展现了当代音乐发展的最新潮流和趋势。

关键词： ISCM 波兰弗罗茨瓦夫现代音乐节

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为中国现代音乐发展搭建坚实的平台——第三届北京现代音乐节述评

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人民音乐（评论） 2006年第8期 7-9页

作者：石一冰中央音乐学院

The Third Beijing Modern Music Festival took place from May 26 to 31, 2006 under the auspices of the Central Conservatory of Music, the Chinese Musicians’ Association Composition Committee and Theory Committee, and the Beijing Music Radio. The festival was presented by the Central Conservatory of Music in Beijing. Wang Cizhao, President of the Central Conservatory of Music was its producer and the composer Ye Xiaogang was its artistic direc- tor. The festival contains altogether 22 concerts (including 3 com- position master class open concerts, 4 percussion marathon con- certs, and other 15 concerts of various types), 8 seminars (one on composition teaching for undergraduates of lower grades or stu- dents in middle schools attached to music conservatories across the country, one on the primitive ethnic music and the development of modern music, and other 6 ones on composition and composi- tion techniques), and 3 special lectures. With an aim to promote the sustainable development of con- temporary Chinese music and the talents training, the festival fo- cuses on young composers with more efforts to provide the younger generations with stages on which they can display their genius. For this purpose, the seminar on composition teaching for undergraduates of lower grades or students in middle schools at- tached to music conservatories was arranged on the first day of the festival itinerary, and moreover, the festival’s opening concert was dedicated to orchestral works by young composers under 25 years old. In addition, three major composition master class open concerts were also presented in such a way that it became a meeting point for the fury members, students and the audience to make interactions among one another. More than 20 celebrated composers and professors from the U.S., the U.K., Austria and other parts of China were invited to give comments on each of the new composition works by selected students, among whom some already have the capability of working on large - scale works with rich imagination and th