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Phoenix Rising ——The Early Censorship of William Tyndale＇s New Testament and Its Influence on The King James Bible

Journal of Literature and Art Studies 2017年第8期7卷 945-957页

作者： sze m suze ceaminia lau Wycliffe Associates Orlando Florida USA

The early censorship of the English Bible was imposed during the sixteenth century. One example is William Tyndale＇s pocket-size New Testament translation, which underwem destruction including the burning of its manuscript, the published translation texts, and even the printers and possessors of these materials. This article reviews the legal history and the religious significance of the censorship, which further influences the appearance of the Authorized Version （1611 ）. Related facts are parliamentary policies concerning imports of foreign priming, book licensing and the use of the Bible. The latter part of this paper reviews evems organized by Wolsey, Tunstall and Warham, and the launch of scholarly based Bible-translation. This paper concludes by re-emphasizing the significance of these parties in sustaining the divine preservation and development of Biblical literature-readers, translators, printers, traders, clergy and legislators. They made the Phoenix rise from the heap of ashes to heaven, and inspired the work of the King James Bible.

关键词： William Tydale Bible Translation censorship New Testament Henry VIII monopoly King James

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motifs of Revulsion in George Eliot＇s middlemarch and Induction of moral Conflicts

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Journal of Literature and Art Studies 2017年第9期7卷 1091-1102页

作者： sze m suze ceaminia lau Wycliffe Associates OrlandoFloridaUSA

This paper selects revulsion and its networking emotion： resentment and disgust as a generic form of novel studies and the subject of moral investigation. motifs of revulsion create complex bedding texture of the plot, which introduces personality and inner visions of characters in the novel. It unifies the binding power of narrative history and informs readers various aspects of morality in the Victorian era, in addition, to present a lyrical tone of social ethics. The following analysis takes Eliot＇s middlemarch as the base text. I shall explain the lexical meaning and textual discussion of revulsion, resentment and disgust spirally within its context, then illustrate with paranthetical examples and different idioms. Later arguments turn to what Eliot defines as faction of human duty in life, which is the nuanced requirement of a subject stands against himself or herself through the disposition of conscience as verdict. This disposition provides unlimited parallels for instinctive presence of internal feelings and thresholds that are constantly affecting moral understandings.

关键词： motifs revulsion middlemarch moral conflicts texts and emotions

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