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Journal of Foreign Languages and Cultures 2020年第2期4卷 11-20页

作者： mark scroggins Florida Atlantic University

Algernon Charles Swinburne’s late poems encouraging Britain’s aggression against the Boer States are exercises in imperialist jingoism,and seem at odds with the poet's longstanding Republicanism and advocacy of individual rights.A close examination of Swinburne’s notorious involvement in practices of sado-masochist flagellation,however,casts some light on how these poems can be read as congruent with his earlier ideological *** rhetoric of his Boer War poems is precisely aligned with his earlier responses to the Bulgarian Crisis of 1876 and the Eyre Affair of 1865;in both of these moments,Swinburne’s political reaction is keyed to his aversion to the use of the lash(by the Russians in the former,by the British colonial Jamaican regime in the latter).While Swinburne was something of a connoiseur of passive flagellation-to the extent that birching becomes sometimes a metaphor for poetry itself-the act of deploying the lash against an unwilling subject(as the Boers did to their African workers)is for him the epitome of tyranny and dehumanization.

关键词： Algernon Charles Swinburne Victorian poetry Boer War Literature Flagellation

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The Questing,Passive Gaze:Ezra Pound’s“Yeux Glauques,”John Ruskin,and the Pre-Raphaelite Moment

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Journal of Foreign Languages and Cultures 2019年第1期3卷 49-56页

作者： mark scroggins Florida Atlantic University

“Yeux Glauques,”the sixth poem of Ezra Pound’s 1920 Hugh Selwyn Mauberley,has been read as an indictment of Victorian viewers’and readers’rejection of Pre-Raphaelite art and poetry,a rejection proleptic of Georgian readers’rejection of Pound’s own *** is largely *** the poem’s citation(in its first stanza)of John Ruskin’s“Of Kings’Treasuries”can be read as directing readers’attention to Ruskin’s 1864 lecture,in part an exhortation to examine the etymologies of the words of the texts they *** an etymological examination of“glauques”in the poem’s title in effect reinforces a secondary implication of the poem as a whole:that the Pre-Raphaelite movement suffered from its members’failure to convincingly or feelingly represent active female subjectivity.

关键词： Ezra Pound John Ruskin Pre-Raphaelites Hugh Selwyn Mauberley women in poetry

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