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Style-specific Rhythms of Mandarin in 4 Different Genres

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中国语音学报 2019年第2期 75-81页

作者：周卫京宋会萍 francis nolan 龚箭薛小姣扬州大学语音—听觉—认知科学研究中心南京视觉艺术职业学院英国剑学大学江苏科技大学外国语学院扬州大学外国语学院

This paper investigates the style-specific rhythms of Mandarin in 4 different genres using acoustic measures so as to generate more macro and micro understanding of the speech rhythms of Mandarin.It took News,Dialogue,Short story and Weather forecast as the different genres.All the data were natural and authentic materials downloaded from China CCTV websites and analyzed using 6 acknowledged rhythmic measurements:speech rate,%V,ΔC,VarcoC,rPVI-C and nPVI-V.The findings show that the rhythms of Mandarin in four genres all fall towards the"syllable-timed"ends of the timing continuum,demonstrating a broadly similar rhythmic pattern for Mandarin,but the four genres of Mandarin significantly differ from each other in speech rate,interval measures and pairwise variability indices,revealing the stylistic variations within the same rhythmic pattern,and that current rhythmic measurements vary in their powers in classifying stylistic rhythms of Mandarin with%V,ΔC and nPVI giving the best categorization in this study.

关键词： Style-specific rhythms of Mandarin Different genres Rhythmic patterns Variations

中国中部地区英语口语的可理解度研究(英文)

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Chinese Journal of Applied Linguistics 2019年第4期42卷 449-465,542页

作者：周卫京 David Deterding francis nolan 扬州大学文莱达鲁萨兰大学文莱剑桥大学英国

如今学界广为认同的是,可理解度是大多数英语学习者应该追求的根本目标,而要达到高水平的可理解度,英语学习者不必在所有的语言特征上效仿英语母语者。但至今仍存在争议的是:英语学习者该掌握哪些语言特征才能使自己说的英语很容易被来... 详细信息

如今学界广为认同的是,可理解度是大多数英语学习者应该追求的根本目标,而要达到高水平的可理解度,英语学习者不必在所有的语言特征上效仿英语母语者。但至今仍存在争议的是:英语学习者该掌握哪些语言特征才能使自己说的英语很容易被来自其他国家的人听懂。本研究聚焦来自英国的母语采访者与来自中国中部地区的青年英语使用者之间的13个五分钟对话语料,详细探究了他们之间发生了哪些影响可理解度的误解,又是哪些因素导致了这些误解。研究结果显示,在所有的对话语料中,共产生了18个显性误解案例。其中,4例(22%)源自词汇语义,3例(17%)源自汉语地名,3例(17%)源自语法,11例(61%)源自发音(有些案例是多维交叉)。在影响交际可理解度的所以发音问题中,最常见的诱因是音节丢失和词首辅音群发音约减。

关键词：可理解度误解中国英语发音辅音群

EFFECTS OF SYLLABLE STRUCTURES ON THE PERCEPTION OF L2 ENGLISH LEXICAL STRESS AMONG TEENAGE MANDARIN LISTENERS

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中国语音学报 2021年第1期 121-128页

作者： ZHOU Weijing ZHAN Lamei nolan francis GONG Jian XUE Xiaojiao WANG Zhiyan Chuzhou High School Huai'anJiangsu University of Cambridge UK School of Foreign Languages Jiangsu University of Science and Technology School of International Studies Yangzhou 不详

This study explores the effects of syllable structures on the perception of L2 English lexical stress among Chinese junior ELF learners.Specifically,it focuses on to what extent syllable numbers and syllable patterns differentiate the subjects’perception of target English lexical stress.The subjects were 93 junior middle-school students from two natural classes in Grade 7.The target lexical stress was the primarily stress placed on the 1;and 2;syllables respectively,which were embedded in two kinds of carrier words(nonsense&real English words)with three types of syllabic patterns(CVC.V,CVC.VC&CVC.CVC).The subjects first listened to the stimuli read by a British RP phonetician in falling tone and then did the perception tests in the pen-and-paper manner.Their correct perception ratios(CPRs)of the target English lexical stress were calculated and compared according to syllable numbers and syllable patterns.The results reveal that the CPRs of L2 English lexical stress in disyllabic words significantly outperformed those in trisyllabic words,and that among the disyllabic words,the CPRs ranked top,second,and bottom with the disyllabic patterns of CVC.V,CVC.CVC,and CVC.VC,respectively.The findings provide considerable evidence for the impact of syllabic structures on teenage Mandarin listeners’perception of L2 English lexical stress.

关键词： Perception of L2 English lexical stress Syllable structures Teenage Mandarin listeners

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弗兰西斯·埃利斯:直布罗陀海峡

艺术界 2013年第5期 184-187页

作者：杜可柯 Vanessa nolan

今年夏天东京暑热难当,东京都现代美术馆选在这个季节推出弗兰西斯·埃利斯个展第二部分＂直布罗陀海峡篇＂可谓应时应景.展览以埃利斯近作《遇河之前莫过桥》为中心,主展厅背对背的两块大屏幕上循环播放着艺术家2008年在直布罗陀海峡... 详细信息

今年夏天东京暑热难当,东京都现代美术馆选在这个季节推出弗兰西斯·埃利斯个展第二部分＂直布罗陀海峡篇＂可谓应时应景.展览以埃利斯近作《遇河之前莫过桥》为中心,主展厅背对背的两块大屏幕上循环播放着艺术家2008年在直布罗陀海峡组织的一次＂行动＂：手拿＂拖鞋船＂的两组少年分别从西班牙塔里法和摩洛哥丹吉尔出发,面向彼此走下大海,最终在一条想象中的海平线上相遇.

关键词：直布罗陀海峡 2008年循环播放美术馆摩洛哥西班牙艺术家大海