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Frontiers of History in China 2018年第1期13卷 127-159页

作者： berezkin rostislav National Institute For Advance Humanistic Studies Fudan University Shanghai 200433 China

This article fashion＂（＂Kitaischina＂） reign of Peter the First demonstrates the role Russo-Chinese cultural examines special features of ＂Chinoiserie＂ or ＂Chinese in Russia from the late 17th to the early 18th century： The It discusses this cultural phenomenon＇s historical origins, of Chinese luxury goods and art objects in the era＇s exchange, and illustrates how Chinese decorative arts were used in Russian palaces. While Chinoiserie in Russia was influenced by similar trends in Western Europe, it was rooted in the unique history of regular contacts between Russia and the Qing Empire. Chinese objects not only appeared as commodities in the higher levels of Russian society, they also contributed to the prestige of the Russian state. Peter the First had a political purpose behind the collection, display and imitation of Chinese art objects in Russian palaces, as these practices demonstrated the growing wealth and power of newly established Russian Empire, which enjoyed trade connections with the Qing Empire. While contemporary perceptions of China in Russia were derived mostly by the exotic images of export art, ethnographic collections of genuine Chinese utensils, which were founded during that period, also contributed to Russian views of China. This research uses a comprehensive methodology, combining studies of material objects preserved in Russian museums and written sources, including archival records.

关键词： Chinoiserie Chinese fashion Russo-Chinese contacts decorative arts intercultural contacts

On the Evolution of Baojuan Performances in Shanghai:A Development of Traditional Literature in the Modern City(1875-1915)

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Fudan Journal of the Humanities and Social Sciences 2019年第4期12卷 649-670页

作者： rostislav berezkin National Institute for Advanced Humanistic Studies Fudan UniversityHandan Road 220Shanghai 200433China

This article traces the history of baojuan(scroll recitation)performances in Shanghai in the period *** recitation is a type of ritualized storytelling that originated in Buddhist preaching,but that also included secular subjects in the later *** study demonstrates how a traditional performative art was integrated into the cultural environment of a developing cosmopolitan city at the end of the nineteenth century,and how it was transformed for the new demands of urban audiences in the early twentieth *** study analyzes the process of secularization of scroll recitation through the growth of entertaining aspects of its contents and performance style in *** makes use of newly discovered historical materials,including newspapers and periodicals of that period,which help to clarify many details of this art's evolution in the modern city.

关键词： Baojuan(precious scrolls) Storytelling Folklore Vernacular literature Shanghai entertainment culture

Pictorial Versions of the Mulian Story in East Asia （Tenth--Seventeenth Centuries）： On the Connections of Religious Painting and Storytelling

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Fudan Journal of the Humanities and Social Sciences 2015年第1期8卷 95-120页

作者： rostislav berezkin National Institute for Advanced Humanistic Studies Fudan University 220 Handan Road200433 Shanghai China

In this paper, I analyze pictorial representations of the Buddhist story of Mulian rescuing his mother in China, Japan, and Korea in the pre-modern and early modern periods. I have collected several pictorial versions of the Mulian story in these countries, and comparison shows close proximity of several such works. All of them are related to the narrative texts that represent elaboration of the originally scriptural story （it originated in the apocryphal Buddhist scripture that circulated in China） in vernacular languages. Images of the Mulian story in the countries of East Asia had diverse nature： they could appear as separate scenes in devotional religious paintings, multi-scene handscrolls, and illustrations in the manuscripts and editions. I argue that the subject of Mulian rescuing his mother was of primary importance in the popularization of Buddhist ideas among different layers of society. The related images were used for both storytelling and reading practices and helped different audiences to comprehend the Mulian story.

关键词： Religious art · Narrative images· Chinese traditional art · Japanese traditional art · Korean traditional art

Idema, Wilt L. translated and introduced. The Immortal Maiden Equal to Heaven and Other Precious Scrolls from Western Gansu

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Frontiers of History in China 2016年第4期11卷 630-635页

作者： rostislav berezkin Fudan University

The new book by Wilt L. Idema is a collection of English translations of six precious scrolls （baojuan 宝卷） from Western Gansu, also known as the Gansu Corridor or Hexi （河西, meaning the land to the west of the Yellow River/. It continues Idema＇s work on the English translation of the most important works of Chinese popular literature （mainly related to oral storytelling practices）, many of which still remain understudied or completely unknown in Western sinology. None of these texts has ever been translated into English or other Western languages before.

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Uspensky, Vladimir L., Tibetskiy Buddizm v Pekine （Tibetan Buddhism in Beijing）

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Frontiers of History in China 2014年第2期9卷 321-326页

作者： rostislav berezkin Fudan University

The new book by Vladimir Uspensky （alternatively, Uspenskiy）, Professor and Chair of the Department of Mongolian and Tibetan Studies, Faculty of Asian and African Studies of Saint Petersburg State University （Russia）, deals with various aspects in the history of Tibetan Buddhism in Beijing; the time is mainly the period from the middle seventeenth to the early twentieth century. During the reign of the Qing dynasty, the ruling class, namely Manchu and Mongolian nobility, patronized Tibetan Buddhism. This aspect of Qing history is studied too little in Chinese and foreign works, and Uspensky＇s book fills this lacuna. One can see that the author successfully achieved his aim, as he has drawn a vivid picture of institutions and cultural activity among Tibetan Buddhists in Beijing.

关键词：

Wang Jian, Li hai xiang guan： Ming Qing yilai Jiangnan Su Song diqu minjian xinyang yanjiu （Profit and harm inseparable： Research on the folk beliefs in the Suzhou and Songjiang areas of Jiangnan since the Ming and Qing dynasties）.

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Frontiers of History in China 2012年第3期7卷 490-493页

作者： rostislav berezkin Fudan University

This book by Wang Jian deals with the folk （or more precisely popular, or local） beliefs of the areas of Suzhou and Songjiang （now mostly under jurisdiction of the city of Shanghai） that are parts of the larger Jiangnan （Lower Yangtze Valley） region famous for industry, commerce, and culture during the Ming （1368-1644） and Qing （1644-1911） dynasties.

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中国常熟现代“讲经”表演传统中的《西瓜宝卷》

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民俗研究 2023年第2期 114-123,159,160页

作者： [俄]白若思李雁林(译) 复旦大学文史研究院上海200433 俄罗斯科学院东方研究所

《西瓜宝卷》(目前已知最早的写本为1867年)是19世纪以来苏南地区宝卷宣唱活动中所使用的叙述性文本的典型代表。《西瓜宝卷》利用了一个在民间广泛流传的母题来宣传对观音菩萨的信仰,从而实现了用说教、娱乐相结合的方式进行教化。以... 详细信息

《西瓜宝卷》(目前已知最早的写本为1867年)是19世纪以来苏南地区宝卷宣唱活动中所使用的叙述性文本的典型代表。《西瓜宝卷》利用了一个在民间广泛流传的母题来宣传对观音菩萨的信仰,从而实现了用说教、娱乐相结合的方式进行教化。以常熟的“讲经”为例,对《西瓜宝卷》的几个版本(时间为1867年至1989年间)进行比较,可以说明该宝卷在现代讲唱中的功能及文化意义的演变。

关键词：宝卷讲经仪式化的故事观音菩萨

《古代至13世纪中国古典文学史》:俄罗斯汉学的新成就

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国际汉学 2020年第S1期 149-153页

作者： [俄]白若思张诗洋(译) 复旦大学文史研究院中国人民大学文学院

原文出处为:rostislav berezkin,“Istoriia kitaiskoi klassicheskoi literatury s drevnosti i do XIII veka:Poeziia,Proza(History of Chinese Classical Literature from Antiquity to the 13th Century:Poetry,Prose).By Marina *** and Igor *** Petersburg:Peterburgskoe Vostokovedenie,2014,2 vols,1407pp.”T’oung pao 103-1-3(2017):1-7。作者白若思(rostislav berezkin),俄罗斯圣彼得堡人。俄罗斯圣彼得堡国立大学副博士,美国宾夕法尼亚大学博士,现为复旦大学文史研究院研究员。主要研究方向为明清时期中国讲唱文学、中国宗教与社会史、中俄交往与文化交流史等。著有2部俄文专著,1部英文专著《多面目连:明清时期宝卷》(Many Faces of Mulian:Precious Scrolls of Late Imperial *** of Washington Press,2017),发表中、英、俄三种语言的论文30多篇。本文对俄罗斯知名学者玛丽娜·克拉夫佐娃和伊·阿利莫夫共同编写的《古代至13世纪中国古典文学史:诗歌与散文》(History of Chinese Classical Literature from Antiquity to the 13th Century:Poetry,Prose)做了详细介绍。该书是俄罗斯汉学史上第一部综合性的中国古代文学史,补充研究了俄罗斯学术界以往忽略的中国古代作家作品,并用传统文献学和语言学分析方法,对中国13世纪以前的诗歌与散文文学史进行梳理、解读,是俄罗斯汉学的新成就。该书曾荣获俄罗斯“人文领域年度最佳图书奖”,但出版以来,尚未有英文或中文文章对该书进行介绍,致使俄语读者之外的广大研究者无从了解这一国际中国文学研究的新成就。因此,译者将白若思先生所撰首篇英文书评翻译为中文,读者可借此对该书有个整体了解。

关键词：中国文学研究俄罗斯汉学文化交流史英文专著玛丽娜

国外有关中国宝卷的研究:以江南宝卷、宣卷为主

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常熟理工学院学报 2020年第1期34卷 51-59页

作者：白若思复旦大学文史研究院

国外有关中国宝卷的研究是多方面的,国外学者从不同角度接触宝卷文献,早期的研究比较关注宝卷与佛教、民间信仰的关系;也有几位学者指出其在中国俗文学发展史中的重要地位,探讨宝卷来源及其与其他讲唱体裁的互动关系问题。一开始,大部... 详细信息

国外有关中国宝卷的研究是多方面的,国外学者从不同角度接触宝卷文献,早期的研究比较关注宝卷与佛教、民间信仰的关系;也有几位学者指出其在中国俗文学发展史中的重要地位,探讨宝卷来源及其与其他讲唱体裁的互动关系问题。一开始,大部分研究集中于明末清初的宝卷(所谓早期宝卷),后逐渐扩大到清末民初的叙述性宝卷文本以及民间表演。国外收藏了一些明末清初的中国宝卷珍本。十九世纪至二十世纪下半叶,国外学者主要是收集分析宝卷文本;从二十世纪末开始,有些学者开始关注民间宝卷讲唱以及宝卷在民间仪式中的功能,近年甚至有学者到中国乡村观察宝卷的讲唱。本文主要介绍的是西欧、北美国家的用英语编写的宝卷研究文本,但也讨论日本、俄罗斯二十世纪形成的独特的宝卷研究传统。

关键词：宝卷宣卷讲经国外汉学国外中国俗文学研究

靖江《香山觀世音寶卷》文本特色及其來源研究

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戏曲与俗文学研究 2021年第1期 154-161页

作者：白若思復旦大學文史研究院

本文討論靖江《香山觀世音寶卷》的文本特色。該寶卷作爲古樸講唱文藝——靖江“講經”常見的底本,講述有名的妙善公主修行成道的故事;但它與其他地區《香山寶卷》版本有相當大的區别。本文對靖江最近發現的《香山觀世音寶卷》文本與蘇... 详细信息

本文討論靖江《香山觀世音寶卷》的文本特色。該寶卷作爲古樸講唱文藝——靖江“講經”常見的底本,講述有名的妙善公主修行成道的故事;但它與其他地區《香山寶卷》版本有相當大的區别。本文對靖江最近發現的《香山觀世音寶卷》文本與蘇州地區流行的傳統《香山寶卷》文本(以19世紀末木刻本爲主)做了比較,試圖解釋兩者故事情節不同之處。本文以《香山觀世音寶卷》爲例討論靖江講經使用並改編傳統寶卷文本的現象,重新論證靖江講經與寶卷文本的關係。

关键词：寶卷講經妙善故事講唱文學觀音故事民俗