A Creative Computing Approach to Film-story Creation:A Proposed Theoretical Framework
A Creative Computing Approach to Film-story Creation: A Proposed Theoretical Framework作者机构:Tianjin Foreign Studies UniversityTianjin 300204China San Jose State UniversitySan Jose 95192USA University of LeicesterLeicester LE17RHEngland South China Business CollegeGuangdong University of Foreign StudiesGuangzhou 510545China
出 版 物:《International Journal of Automation and computing》 (国际自动化与计算杂志(英文版))
年 卷 期:2020年第17卷第5期
页 面:678-690页
核心收录:
学科分类:12[管理学] 1303[艺术学-戏剧与影视学] 13[艺术学] 1201[管理学-管理科学与工程(可授管理学、工学学位)] 081104[工学-模式识别与智能系统] 08[工学] 0835[工学-软件工程] 0811[工学-控制科学与工程] 0812[工学-计算机科学与技术(可授工学、理学学位)]
基 金:The work is sponsored in part by National Natural Science Foundation of China(No.61877044)
主 题:Creative computing film-story creation creativity rules automatic generation human-like scriptwriting
摘 要:The film industry is currently witnessing a severe shortage of good stories and a decline in storytelling ***,creative computing has been employed successfully in the humanities,especially in the fields of *** the similarities between the process of film-story creation and that of creative computing,we propose a theoretical framework across the two domains,where the exploratory,the combinational and the transformational rules are jointly utilized to generate new ideas and provide potential options in film-story *** framework consists of a film knowledge library,a creative computing system,an evaluation model and an output *** combination of creative computing and film story creation not only helps to produce novel storylines,shorten the creation cycle,and speed up film industry,but also contributes to the novelty and specificity of interdisciplinary studies.