Comparison of Mythological Motifs between Chinese and Western Meteorological Films

作     者：Licheng LIU Ting WANG 

作者机构：School of Journalism and CommunicationPingdingshan UniversityPingdingshan 467000China School of Chinese Language and LiteratureCentral China Normal UniversityWuhan 430079China 

出 版 物：《Meteorological and Environmental Research》 (气象与环境研究（英文版）)

年 卷 期：2020年第11卷第4期

页      面：36-42页

学科分类：1303[艺术学-戏剧与影视学] 13[艺术学] 07[理学] 070601[理学-气象学] 0706[理学-大气科学] 

基　　金：Supported by Doctoral Research Start-up Fund Project of Pingdingshan University in 2017(PXY-BSQD-2018025) 

主　　题：Meteorological film Myth Motif Comparison between China and the West 

摘      要：Meteorological films generally refer to those that suffer from the influence of natural disasters including meteorological factors,resulting in great violence and *** disaster films contain a large number of traditional mythological *** meteorological mythology composed of Chinese and Western meteorological mythological motifs is themeta storymodel of modern meteorological films,which establishes the logical starting point of its ***,as a cultural resource,meteorological mythology has also completed the creative transformation in modern *** the differences between Chinese and Western meteorological films on the motif from the perspective of mythology is compared,it can explore the collective memory and cultural genes of different nations from the original *** motif of punishment in Western meteorological films comes from the collective unconsciousness of human fear of disaster and the collective values of deep deity worship;the motif of disaster management in Chinese meteorological films comes from the realistic tradition of resisting nature and the moralization of myth,which will be a good perspective for comparative study of Chinese and Western meteorological films bearing Chinese and Western cultures.