The Transformation of Archival Philosophy and Practice Through Digital Art
The Transformation of Archival Philosophy and Practice Through Digital Art出 版 物：《Journal of Philosophy Study》 (哲学研究（英文版）)
年 卷 期：2014年第4卷第5期
页 面：373-390页
学科分类：1205[管理学-图书情报与档案管理] 12[管理学] 07[理学] 120503[管理学-档案学] 0701[理学-数学] 070101[理学-基础数学]
主 题：数字艺术 档案系统 哲学家 数字化技术 艺术作品 变速技术 数字档案馆 互操作性
摘 要：In many ways, digital practices have precipitated remarkable changes in the global accessibility of art. However, the digital revolution has also radically influenced the conservation processes surrounding art, including archiving, preserving, and remembering. This paper explores the conservation of digital (or variable media) artworks for the future benefit of culture, with particular reference to creators and viewers of art, as well as participants in interactive artworks. More specifically, this paper focuses on the philosophical and technical approaches adopted by creators, conservators, and philosophers involved in the preservation of variable media artworks. Issues of programming, interoperability between archival systems, and enhanced public access increasingly inform the design of digital archives. Indeed, the continuously shifting technological landscape—-marked by the centrality of digital technologies to everyday life—-problematizes the preservation of digital art through mainstream museological paradigms. Part of this analysis of digital art conservation will be drawn from the archival philosophies of Boris Groys and Rick Prelinger.
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