The architecture of the(post)studio:Jackson Pollock’s barn and Andy Warhol’s Silver Factory

作     者：Guillermo Lockhart Milan 

作者机构：Departamento de Proyectos Arquitecto´nicosEscuela Te´cnica Superior de ArquitecturaUniversidad Polite´cnica de MadridMadrid 28040Spain 

出 版 物：《Frontiers of Architectural Research》 (建筑学研究前沿（英文版）)

年 卷 期：2023年第12卷第2期

页      面：266-276页

核心收录：

学科分类：0303[法学-社会学] 1305[艺术学-设计学（可授艺术学、工学学位）] 0601[历史学-考古学] 01[哲学] 0202[经济学-应用经济学] 0101[哲学-哲学] 010106[哲学-美学] 0813[工学-建筑学] 0814[工学-土木工程] 0833[工学-城乡规划学] 

主　　题：Andy Warhol Daniel Buren Function of the studio Jackson Pollock Post-studio Studio 

摘      要：This article will discuss a false dichotomy between two models,the modern art studio and the post-studio,which oppose the private and the public,the individual and the collective,hiding and the *** will begin by analysing Daniel Buren’s position in his canonical text“Fonction de l’Atelierand his practice,where the artist defines the foundations of post-studio *** the text also describes a New York studio type that must be left behind,we will analyse Jackson Pollock’s and Andy Warhol’s workspaces through drawing reconstructions to demonstrate that these meet the defining characteristics of both *** will be shown that the artists have used design strategies to retain certain aspects of studio culture while exploring others of the *** turning point reveals that the current belief about the obsolescence of the studio in a global era defined by communication,networking and mobility ignores its emerging post-studio *** work aims to acknowledge this shift,obtaining a critical vision that will allow us to design contemporary workspaces avoiding stereotypical and reductionist approaches.