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Alternative New China Cinema: Hong Kong Leftist Cinema during the Cold War-- A Discussion of the Hong Kong Leftist Film The True Story of Ah Q

Alternative New China Cinema: Hong Kong Leftist Cinema during the Cold War-- A Discussion of the Hong Kong Leftist Film The True Story of Ah Q

作     者:Yuping WANG 

作者机构:School of Humanities Shanghai Jiao Tong University Shanghai 200240 China 

出 版 物:《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 (中国高等学校学术文摘·文学研究(英文版))

年 卷 期:2015年第9卷第1期

页      面:131-145页

学科分类:1305[艺术学-设计学(可授艺术学、工学学位)] 0810[工学-信息与通信工程] 13[艺术学] 08[工学] 080203[工学-机械设计及理论] 081304[工学-建筑技术科学] 0802[工学-机械工程] 0813[工学-建筑学] 081002[工学-信号与信息处理] 080201[工学-机械制造及其自动化] 

主  题:Hong Kong leftist cinema Shanghai left-wing cinema Socialistcinema the cinema of new-democratic revolution The True Story ofAh Q 

摘      要:The paper discusses the 1957 Hong Kong film The True Story of Ah Q. As a Hong Kong leftist film, its plot and production process are relevant to understanding the political and cultural life of New China. However, Hong Kong leftist cinema played an important role in the reception of New China cinema overseas; it can only be understood within the context of political and cultural life in New China. This paper explores the complicated relations between Hong Kong leftist cinema, domestic socialist cinema, and Shanghai left-wing cinema in the 1930s. In addition, it discusses The True Story ofAh Q as a film with features that identify it with both Hong Kong leftist cinema and New China cinema. Thus, the film's acceptibility is determined by the tensions between these two identifications.

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