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Blinding Lights: the Creative Queer Geography of Daniel Nolasco’s Dry Wind

作     者:Diego Santos Vieira de Jesus 

作者机构:ESPM-RioRio de JaneiroBrazil 

出 版 物:《Journal of Literature and Art Studies》 (文学与艺术研究(英文版))

年 卷 期:2021年第11卷第5期

页      面:345-350页

学科分类:0202[经济学-应用经济学] 02[经济学] 020205[经济学-产业经济学] 

主  题:Dry Wind Daniel Nolasco queer cinema queer geography fetishism homoerotism masculinity 

摘      要:The aim of this paper is to examine the creative queer geography of Daniel Nolasco’s movie Dry *** main argument indicates that,instead of representing countryside cities exclusively as places of repression and denial,the movie shows part of the countryside gay *** realism of the fertilizer factory and the aridity of the city of Catalão are opposed to the extreme stylization of vibrant colors and blinding neon lights of the main character’s fetishist imagination,which indicates how he increasingly surrenders to his *** the pornographic representation of homoerotic desire,Dry Wind also proposes alternatives for affective expressions of masculinities that do not conform to the prevailing moral standards.

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